Following his last extended body of work Entanglements, Alix Perez taps into slower tempos for his new mini LP Sabotage. This record focuses on the 130-140 bpm realm, featuring collaborations with SP:MC, Trim, Cesco & Hijinx. From light to dark, Alix further explores his penchant for that world of music.

Following his last extended body of work Entanglements, Alix Perez taps into slower tempos for his new mini LP Sabotage. This record focuses on the 130-140 bpm realm, featuring collaborations with SP:MC, Trim, Cesco & Hijinx. From light to dark, Alix further explores his penchant for that world of music.

Held in Transmission explores music as something suspended between broadcast and memory. From the pirate radio energy of Pirates to the garage and post-dubstep lineage referenced in Feels So and FWD, the EP sits firmly in the echoes of UK bass culture. Virtues closes the project on a more personal note, drawing on environmental sounds recorded while touring New Zealand, allowing place and emotion to bleed into rhythm.

Twenty Twenty London Recordings

Held in Transmission explores music as something suspended between broadcast and memory. From the pirate radio energy of Pirates to the garage and post-dubstep lineage referenced in Feels So and FWD, the EP sits firmly in the echoes of UK bass culture. Virtues closes the project on a more personal note, drawing on environmental sounds recorded while touring New Zealand, allowing place and emotion to bleed into rhythm.

Following his last extended body of work Entanglements, Alix Perez taps into slower tempos for his new mini LP Sabotage. This record focuses on the 130-140 bpm realm, featuring collaborations with SP:MC, Trim, Cesco & Hijinx. From light to dark, Alix further explores his penchant for that world of music.

Twenty Twenty London Recordings

One of the most interesting (and tallest) producers in Bristol, Samba - often known for his intricate and emotionally charged 140 on iconic labels such as Deep Medi - switches things up with a thoroughly dancefloor-focussed Club inspired EP for the mighty Pineapple. Broody sees Samba and another Sam (the Binga) team up with the incredibly talented Rochy Romero, who laces the bass-led beat with cold-hearted but anthemic lyrics - told my ex imma need more room, but she still on my line tryna bug me - put her on pause, I dont wanna resume. Vocal cuts and an almost vapourwave synth-line set off the pounding kicks and whip-shaking bass to create a unique blend of UK attitude and US swagger. BB was the first track Samba sent over for the EP and its a monster. Club-patterned kicks keep the funk focussed, while another female vocal represents for all the Baddies out there. Support on this one from Alix Perez, Sicaria and more. The Work brings Cimm and HiJinx into the picture - incredibly crisp production brings a luxurious sheen to the Club production palette, resulting in another Jersey-inspired dancefloor weapon. Distributed by Label Engine - www.label-engine.com

Twenty Twenty London Recordings

The third instalment on HIJINX's imprint comes in the shape of three fresh hypnotic cuts for the dance where he further explores his more techy side. The EP kicks off with the title track 'Aeon', another high energy acid driven track with an interesting blend of drill and 4x4 influences in the percussion coupled with rolling 808's. The second track goes deeper with 'Beta', more pulsing 808's and progressive percussion make for a proper eyes down system rattler. 'Concentration' finishes off the EP with trancing arpeggios and instructions for the dance.

Wheel & Deal Records