UV

UV

Heavily inspired by the landscapes of the Pacific Northwest, Daniel Sampson has been a rapidly rising force within the Progressive House fraternity under his Cendryma production moniker. UK-born but firmly ensconced in his Oregon home, the Cendryma sound has found its way on to a plethora of high-profile labels that include, Forty Cats PURRFECTION, Roger Martinez's HIGHER STATES and Paul Thomas' UV and UV Noir imprints. Returning to Clubsonica Records, a single remix of Hassan Maroofi in mid-2025 is now followed by a twin-track original EP of the highest quality. "Reframe" is a high-energy progressive masterclass with bouncing bassline pattern perfectly paired with a driving beat and off-beat shaker vibrancy. Evolving easily, textured pads, metallic hits and an ethereal vocal add to the syncopation before a glistening melody gradually filters its way to the foreground before taking centre stage at the breakdown. Dropping back into the tight groove and delicate vocal refrain in the second half, the "Reframe" is an impressive affair. "Possible Interlude" continues the deep progressive love affair with its subterranean sub-bass and intricate percussive groove. Rolling steadily forward, white-noise washes herald arpeggiated melodies while a lead motif shine through the mix in shimmering fashion. Counterpoint phrases add emotion aplenty felt keenly at the mid-point break, before the smooth groove hits its mark once more in the third movement. Rosario-born Ignacio Hernández has quickly established himself as one of his country's rising stars with a slew of impressive releases that have seen hits on Or Two Strangers, Mango Alley and PURRFECTION, with the latter witnessing the "Holy Place" EP at Easter 2026. February 2026 saw an impressive debut on Clubsonica Records with the "Somewhere" EP, as the Argentinean star now returns with a dynamic reworking of Cendryma's "Reframe". Filling the low-end with a thumping presence, familiar ethereal vocals and a deeper rolling groove create a powerful platform. Exuding melodic grace, a rippling arpeggio soon cascades across the track, before the central theme so dominant in the original, makes its presence felt as the second half blossoms. A second remix sees Medellín-born, Leo Guerrero enter the fray. First making his presence felt with his Trance and Eurodance productions in the 2010s as part of the Smokers Area & Guerrero duo, his shift to delving deeper into progressive sounds saw the Colombian emerge with successful solo work for the likes of Future Avenue, Strangers Beats and D-Nox's Sprout. A single remix of Juan Sapia in mid-2023 saw a Clubsonica debut shine brightly as Leo Guerrero now returns with a sparkling interpretation of "Possible Interlude". Creating a deep, effects-laden bassline sequence and driving rhythmic counterpart, the tumbling melodic refrain from Cendryma's original soon makes its presence felt. Developing over its 7-minute timeframe, the counterpoint melody from the original waxes and wanes with easy vibrancy while the lacerating bassline extravaganza propels the track forward with a devastating low-end dynamism, emphasising its angular and stereo-panned prowess. Directed by Juan Pablo Torrez Mastered by Dub On Audio Press Release by James Warren Design by Dave Caro

Heavily inspired by the landscapes of the Pacific Northwest, Daniel Sampson has been a rapidly rising force within the Progressive House fraternity under his Cendryma production moniker. UK-born but firmly ensconced in his Oregon home, the Cendryma sound has found its way on to a plethora of high-profile labels that include, Forty Cats PURRFECTION, Roger Martinez's HIGHER STATES and Paul Thomas' UV and UV Noir imprints. Returning to Clubsonica Records, a single remix of Hassan Maroofi in mid-2025 is now followed by a twin-track original EP of the highest quality. "Reframe" is a high-energy progressive masterclass with bouncing bassline pattern perfectly paired with a driving beat and off-beat shaker vibrancy. Evolving easily, textured pads, metallic hits and an ethereal vocal add to the syncopation before a glistening melody gradually filters its way to the foreground before taking centre stage at the breakdown. Dropping back into the tight groove and delicate vocal refrain in the second half, the "Reframe" is an impressive affair. "Possible Interlude" continues the deep progressive love affair with its subterranean sub-bass and intricate percussive groove. Rolling steadily forward, white-noise washes herald arpeggiated melodies while a lead motif shine through the mix in shimmering fashion. Counterpoint phrases add emotion aplenty felt keenly at the mid-point break, before the smooth groove hits its mark once more in the third movement. Rosario-born Ignacio Hernández has quickly established himself as one of his country's rising stars with a slew of impressive releases that have seen hits on Or Two Strangers, Mango Alley and PURRFECTION, with the latter witnessing the "Holy Place" EP at Easter 2026. February 2026 saw an impressive debut on Clubsonica Records with the "Somewhere" EP, as the Argentinean star now returns with a dynamic reworking of Cendryma's "Reframe". Filling the low-end with a thumping presence, familiar ethereal vocals and a deeper rolling groove create a powerful platform. Exuding melodic grace, a rippling arpeggio soon cascades across the track, before the central theme so dominant in the original, makes its presence felt as the second half blossoms. A second remix sees Medellín-born, Leo Guerrero enter the fray. First making his presence felt with his Trance and Eurodance productions in the 2010s as part of the Smokers Area & Guerrero duo, his shift to delving deeper into progressive sounds saw the Colombian emerge with successful solo work for the likes of Future Avenue, Strangers Beats and D-Nox's Sprout. A single remix of Juan Sapia in mid-2023 saw a Clubsonica debut shine brightly as Leo Guerrero now returns with a sparkling interpretation of "Possible Interlude". Creating a deep, effects-laden bassline sequence and driving rhythmic counterpart, the tumbling melodic refrain from Cendryma's original soon makes its presence felt. Developing over its 7-minute timeframe, the counterpoint melody from the original waxes and wanes with easy vibrancy while the lacerating bassline extravaganza propels the track forward with a devastating low-end dynamism, emphasising its angular and stereo-panned prowess. Directed by Juan Pablo Torrez Mastered by Dub On Audio Press Release by James Warren Design by Dave Caro

Clubsonica Records Progressive House