SimbaSōl was dancing before he could walk, raised around campfires, djembes, and harmonicas long before he found a disco ball. The Cool holds both of those rooms at once. The title track is built around Prince's 1999 warning that the computer is only a tool and should never start using the person, the same instinct that runs through Sounds of Khemit: keep the drum, the dance, and the soul at the center, even when the music is made from machines. Dirty, with Rameff, leans into organic house, all flowing synths and grooving organic percussion. Nhii and Bawab close it out with a deeper, more hypnotic remix.

SimbaSōl was dancing before he could walk, raised around campfires, djembes, and harmonicas long before he found a disco ball. The Cool holds both of those rooms at once. The title track is built around Prince's 1999 warning that the computer is only a tool and should never start using the person, the same instinct that runs through Sounds of Khemit: keep the drum, the dance, and the soul at the center, even when the music is made from machines. Dirty, with Rameff, leans into organic house, all flowing synths and grooving organic percussion. Nhii and Bawab close it out with a deeper, more hypnotic remix.

Sol Selectas

Sol Selectas