MoBlack Records Afro House

'Allez Allez' opens with movement already in motion, pulling Enzo Siffredi, Malek Mhedhbi and Chook into a shared rhythmic language. The drums strike with intent, while verdant percussion feels alive, pushing the groove forward with natural vitality. There's a fire running through the rhythm—upbeat and contagious—carried by patterns that repeat just enough to draw you in. Layers of sound stack and stretch, creating a hypnotic resonance that settles deep rather than sitting on the surface. Melodic fragments surface between the drums, adding texture without slowing the pace. Everything here points forward, an open gesture, a quiet insistence to move. 'Allez Allez' doesn't overstate itself—it simply invites you in and lets the rhythm do the rest. Artwork by Rachael D'Alessandro. Words by Marie Floro. Executive Producer Mimmo Falcone. Distribution by Muting The Noise.

Day One brings Skai Lounge and blaqkongo together in a vibrant, rhythm-forward dialogue shaped by color and motion. Propulsive drumming sets the pace, carried by claps and energetic vocal phrases that give the track its pulse. Upbeat synths cut through with a bright, electronic edge, adding lift without losing grounding. Ethnic rhythms sit at the core, anchoring the groove in African heritage as the sound stretches outward. Dreamy textures and sultry string lines soften the drive, introducing warmth and a subtle sensuality as captivating percussive patterns, layered with nuanced reverbs and delays, create a steady sense of flow. Day One stays locked in its movement, letting rhythm, texture, and time move side by side. Artwork by Rachael DAlessandro. Words by Marie Floro. Executive Producer Mimmo Falcone. Distribution by Muting The Noise.

Weaving rhythmic pulsations, African instruments and evocative melodies, DJ Gregory's iconic "Tourment d'Amour" has transcended borders and turned dancefloors into sanctuaries of expression over time. Africanism and MoBlack revisit the timeless anthem, presenting a deftly curated set of remixes. Adapted through the lens of Afro-techno and Amapiano, "Tourment d'Amour" reimagined, finds new ways to further ignite dancefloors, celebrating the duality and universality of love, and leaving eternal imprints of connection with and within.  South African DJ/Producer Mpho.wav translates "Tourment d'Amour" through the hypnotic vernacular of Afro-techno. Combining instinctive drumming and percussion with driving basslines, and immersive electronic soundscapes, Mpho.wav's Afrotech remix creates a dynamic groove and a vibrant interaction between past and present, intuition and trance. In his reinterpretation, MoBlack infuses the enigmatic essence of Amapiano into "Tourment d'Amour." Poignant melodies, the heartbeat of Amapiano, delve into the core of human longing, while seductive synths, soulful vocal cuts, and ethereal pads evoke waves of nostalgic introspection. In a world that yearns for connection and understanding, "Tourment d'Amour" and its offspring leave no soul untouched, sparking a profound dance between desire and rhythm.  Press by Marie J Floro. Produced by DJ Gregory (Gregory Darsa). Words by Salome De Bahia. Engineered by Julien Jabre. Additional production by Mpho.wav and MoBlack. Mastering by Daniele Mattiuzzi. Executive Producer MoBlack. Distributed by Muting The Noise.

MoBlack Records Afro House

The Amapiano Edit of "Ode Ireti" is a dynamic, fresh take on the song that set the stage for the meteoric rise of &friends Maintaining the project's undeniable momentum, afro-house collective helmed by Sean Thomas AKA &friends makes MoBlack Records debut with an Amapiano Edit of his hit single "Ode Ireti" ft. eL-Jay & Oluwadamvic. Since the project's 2022 debut the sounds of &friends have made their way to every corner of the globe. The Nitefreak Remix of "Ode Ireti' ft. Oluwadamvic saw unprecedented, viral success. Receiving massive radio and touring support from top names in the space, the infectious chorus "o-le-le" has become a staple in the sets of many titans of dance music. The Amapiano Edit of the acclaimed track plays further homage to the African roots of collaborators eL-Jay and Oluwadamvic. Ode Ireti, meaning 'Hunters of Hope' in West African native language Yoruba, is a story of what happens when we listen to our hearts versus what others tell us. It is a message that giving up is never an option no matter how hard it gets; we are all here to fulfill a destiny. Across the duration of the track, sultry chords and melody overlay a dynamic percussive production. Driving vocals and enchanting chants weave across the afro-house foundation, seeing &friends collaborator El-Jay & Oluwadamvic deliver a poignant message of ancestry, culture and perseverance that truly sees the vision of the track embodying 'Hunters of Hope' through to fruition. Mastered by Cassian Irvine, Leo Butler. Photography and Graphics Ilias Hosain. Executive Producer MoBlack. Distributed by Muting The Noise.

DJ/producer Ahmed Spins debuts on MoBlack, together with legendary Kologo maestro Stevo Atambire and South African songstress, Lizwi. The Boston-based artist ushers in his two-track EP through a synergetic collaboration with one of Afro House's most compelling vocalists and gifted musicians. Vitalized by Stevo Atambire's affective Frafra vocals, 'Anchor Point' is a gratifying calibration and an immersion into the deep combers of house - rife with dynamic Afro rhythms, permeating strings and eloquent vocal gradients. 'Waves & wavs' concludes the saga - powered by robust percussion and the sorcery of Lizwi's soul-nourishing balladry. Driven by climactic progressions, euphoric melodies and transcendent Moroccan sounds, this harmonic litany interlaces lucid electronic pulses with elemental acoustics to perpetuate a pensive dancefloor meditation. Press by Marie J Floro

MoBlack Records

"Kumeleli" brings MoBlack together with Zamna Soundsystem in a piece that moves with quiet insistence, unfolding on fertile ground. Built on Afro house foundations, the track draws on intuitive rhythms and instinctive textures that feel rooted in landscape and ritual. Striking piano lines cut through with clarity, shaping fluid climaxes that rise and fall naturally. Oluhle's fervent voice carries the melodies forward, moving between hushed intensity and open, airy release. Fleeting synth layers flash across the arrangement, adding color and contrast while keeping the mood enigmatic yet vibrant, as an angelic chorus weaves quietly through the track. There's a gentle continuity beneath the surface-never rushed, never fixed-where earthy percussion and open atmospheres coexist. Like the world it evokes, the music keeps moving as it grows, rooted, present and quietly alive. Artwork by Rachael D'Alessandro. Words by Marie Floro. Mastering by Wave Life Studio. Executive Producer Mimmo Falcone. Distribution by Muting The Noise.

On his forthcoming single, ReiRei weaves an intricate tapestry of history, narrative and sound. Pulsating spirited rhythms, effervescent percussion and delicate riffs, "Juneteenth" is a poignant dance anthem that embodies resilience, progress and liberation. Starting off with a sinuous build up, "Juneteenth's" unwavering spirit ascends to a gratifying climax, unwinding in a vast expanse of solacing melodies and majestic resonance. Through music storytelling, 'Juneteenth' not only echoes the complexities of shared histories, but on a personal level, delves into the significance of embracing the journey behind each milestone, allowing the process itself to resonate in the outcome. Words by Marie J Floro. Artwork by Rachael D'Alessandro.Mastering by Daniele Mattiuzzi. Executive Producer Mimmo Falcone. Distribution by Muting The Noise.

With The Legacy — All Time Best Sellers Vol. 4, MoBlack Records shifts the focus from compilation to conversation. This fourth chapter is not about revisiting hits, but about tracing the invisible lines that connect cultures, voices and rhythms across continents and generations. It is a collection built on movement, memory and musical dialogue. From the atmospheric tension of "Burlan" and "Elysian" to the raw, percussive drive of "Mabudede" (Kususa Remix) and "Manoo Remix", the album moves freely between introspection and physical energy. Vocal-led moments like "Aisa" (FNX Omar Remix), "O Pa Mi Titi Deabe" (Armonica Remix) and "Ilanga" bring human warmth to the foreground, while tracks such as "Creatures", "Mandinka Woman" and "Saana Yoo Ma" explore deeper, more spiritual territories. Several collaborations stand as cultural bridges rather than simple features. "Clareou", "Can Soleil" and "Kukaya" (Fka Mash Remix) blend regional identities into a shared language made for modern dancefloors. Later, cuts like "Amaya", "Zimbabwe" (Kintar Remix) and "Road to Nowhere" push the narrative forward with bold textures and restless momentum. The closing stretch, led by "Candela" and "Mi Amor", leaves space for reflection as much as release, reminding listeners that groove and emotion are never separate worlds. The Legacy Vol. 4 does not look back for nostalgia. It looks outward. It documents how global electronic music continues to evolve through collaboration, respect for roots, and the courage to experiment. A chapter shaped by instinct, experience and the belief that rhythm is still one of the strongest forms of connection we have.

MoBlack Records Afro House

With All Gone, Themba, Moish, and Vasilis converge around a blossoming groove that unfolds with patience. Tender, understated riffs lift Kali Mijas vocal, allowing its vulnerability to sit close to the rhythm. Elegant synths and expanding oscillations move in subtle circular motion, giving the track a quiet sense of momentum. A soft piano line drifts in, adding sentiment without tipping into nostalgia. Theres a lingering, almost liquid quality to the sound, as tones stretch and dissolve into one another. Impactful reverb creates space and depth, letting each element breathe while sustaining tension. This reinterpretation of All Gone sits between presence and absence, unfolding into a late-night atmosphere shaped by intimacy, movement, and intention. Artwork by Rachael DAlessandro. Words by Marie Floro. Executive Producer Mimmo Falcone. Distribution by Muting The Noise.

MoBlack Records Afro House

Maziri - the artistic union of Ephlum and Stéphane Salerno - present Tamiditine, a stirring reinterpretation of Tissilawens original, carried by sultry strings, lush rhythms, and profuse melodic layers. Modern grooves and crisp electronic inflections create a sublime interplay between grounded, earthy house elements and sweeping, transcendent contours. The track holds a lived-in emotion, tracing the honesty and depth that run through Tissilawens poetry. Alongside the original, two striking remixes expand the journey. FNX Omar drives the piece into an atmospheric deep-house dimension, where sculpted percussion and elegant synth formations gather into a magnetic pull that feels like stepping through a doorway on the dancefloor. His approach sharpens the songs sense of reflection and ascent. Alex Twin responds with a vivid reimagining, threading bright undercurrents and a propulsive cadence into a warm, rhythm-forward progression. Punchy yet refined, his remix preserves the tracks sultry core while giving it a bold new silhouette. Artwork by Rachael DAlessandro. Words by Marie Floro. Master by Wave Life Studio. Executive Producer Mimmo Falcone. Distribution by Muting The Noise.

In this new chapter of If I Could Stop the Sunset, two distinctive reinterpretations expand the emotional landscape of the original, each illuminating a different facet of twilights allure. David Mackay infuses the track with radiant warmth, sculpting shimmering synth lines and soft-lit melodies that echo the final moments of daylight. His rework drifts in the golden haze of sunset, capturing that fragile instant where time seems to slow, inviting a deeper surrender to the fading glow. Roy Rosenfeld, in contrast, guides the piece into the magnetic pull of nightfall. With his signature blend of atmospheric depth and refined tension, he shapes a soundscape where sleek percussion and expansive harmonics rise like the first stars against a darkening sky. His remix transforms the track into an introspective nocturnal journey, honouring the originals sense of wonder while revealing its shadowed, more contemplative dimension. Together, the two remixes trace the delicate arc between day and night: a continuum of warmth, stillness and quiet transcendence expanding the narrative of If I Could Stop the Sunset into a fuller, more immersive cycle of light and darkness. Artwork by Rachael DAlessandro. David Mackay mix & master by Wave Life Studio. Executive Producer Mimmo Falcone. Distribution by Muting The Noise.