MoBlack Records Afro House

A label compilation can be the first sign of a new cycle. After years shaped by individual trajectories, it brings the focus back to what made scenes powerful in the first place: shared language, mutual influence and a sense of collective movement. For a label built on deep rhythm, organic textures and emotional drive, this carries an even stronger meaning. These musical spaces hold connection, memory and exchange at their core. In this light, a compilation becomes more than a format: it becomes a statement of identity, a meeting point where different voices contribute to one evolving vision. "MoBlack presents: MELODIC NIGHTS" marks the start of this new MoBlack path guided by careful curation and artistic exchange, blending percussive depth with a more melodic approach. The result is a four-track selection navigating different shades of introspection and release, held together by a strong and recognizable sonic character. Klement Bonelli – "It's My Life" sets the tone with a bold, emotionally charged cut that balances melodic lift with a club-focused pulse. it's jud, MR.FULLTIM€ – "Jackfruit" adds a distinctive twist to the journey, playful in texture yet precise in its impulse, widening the palette with character and movement. Jay' (CH) – "Our Fire" leans into atmosphere and intensity, building momentum through evocative harmonies and a steady emotional current. Max Zotti, Blaxx – "Release Your Pain" closes the collection with a cathartic, rhythm-led energy, delivering what feels both intimate and dancefloor-ready. More than a one-off release, "MELODIC NIGHTS" introduces a collection designed to highlight converging sensibilities, where each track stands on its own while contributing to a wider narrative. Artwork by Rachael D'Alessandro. Executive producer Mimmo Falcone. Distribution by Muting The Noise.

MoBlack Records

MoBlack Records

A label compilation can be the first sign of a new cycle. After years shaped by individual trajectories, it brings the focus back to what made scenes powerful in the first place: shared language, mutual influence and a sense of collective movement. For a label built on deep rhythm, organic textures and emotional drive, this carries an even stronger meaning. These musical spaces hold connection, memory and exchange at their core. In this light, a compilation becomes more than a format: it becomes a statement of identity, a meeting point where different voices contribute to one evolving vision. "MoBlack presents: MELODIC NIGHTS" marks the start of this new MoBlack path guided by careful curation and artistic exchange, blending percussive depth with a more melodic approach. The result is a four-track selection navigating different shades of introspection and release, held together by a strong and recognizable sonic character. Klement Bonelli – "It's My Life" sets the tone with a bold, emotionally charged cut that balances melodic lift with a club-focused pulse. it's jud, MR.FULLTIM€ – "Jackfruit" adds a distinctive twist to the journey, playful in texture yet precise in its impulse, widening the palette with character and movement. Jay' (CH) – "Our Fire" leans into atmosphere and intensity, building momentum through evocative harmonies and a steady emotional current. Max Zotti, Blaxx – "Release Your Pain" closes the collection with a cathartic, rhythm-led energy, delivering what feels both intimate and dancefloor-ready. More than a one-off release, "MELODIC NIGHTS" introduces a collection designed to highlight converging sensibilities, where each track stands on its own while contributing to a wider narrative. Artwork by Rachael D'Alessandro. Executive producer Mimmo Falcone. Distribution by Muting The Noise.

Weaving rhythmic pulsations, African instruments and evocative melodies, DJ Gregory's iconic "Tourment d'Amour" has transcended borders and turned dancefloors into sanctuaries of expression over time. Africanism and MoBlack revisit the timeless anthem, presenting a deftly curated set of remixes. Adapted through the lens of Afro-techno and Amapiano, "Tourment d'Amour" reimagined, finds new ways to further ignite dancefloors, celebrating the duality and universality of love, and leaving eternal imprints of connection with and within.  South African DJ/Producer Mpho.wav translates "Tourment d'Amour" through the hypnotic vernacular of Afro-techno. Combining instinctive drumming and percussion with driving basslines, and immersive electronic soundscapes, Mpho.wav's Afrotech remix creates a dynamic groove and a vibrant interaction between past and present, intuition and trance. In his reinterpretation, MoBlack infuses the enigmatic essence of Amapiano into "Tourment d'Amour." Poignant melodies, the heartbeat of Amapiano, delve into the core of human longing, while seductive synths, soulful vocal cuts, and ethereal pads evoke waves of nostalgic introspection. In a world that yearns for connection and understanding, "Tourment d'Amour" and its offspring leave no soul untouched, sparking a profound dance between desire and rhythm.  Press by Marie J Floro. Produced by DJ Gregory (Gregory Darsa). Words by Salome De Bahia. Engineered by Julien Jabre. Additional production by Mpho.wav and MoBlack. Mastering by Daniele Mattiuzzi. Executive Producer MoBlack. Distributed by Muting The Noise.

MoBlack Records Afro House

The Amapiano Edit of "Ode Ireti" is a dynamic, fresh take on the song that set the stage for the meteoric rise of &friends Maintaining the project's undeniable momentum, afro-house collective helmed by Sean Thomas AKA &friends makes MoBlack Records debut with an Amapiano Edit of his hit single "Ode Ireti" ft. eL-Jay & Oluwadamvic. Since the project's 2022 debut the sounds of &friends have made their way to every corner of the globe. The Nitefreak Remix of "Ode Ireti' ft. Oluwadamvic saw unprecedented, viral success. Receiving massive radio and touring support from top names in the space, the infectious chorus "o-le-le" has become a staple in the sets of many titans of dance music. The Amapiano Edit of the acclaimed track plays further homage to the African roots of collaborators eL-Jay and Oluwadamvic. Ode Ireti, meaning 'Hunters of Hope' in West African native language Yoruba, is a story of what happens when we listen to our hearts versus what others tell us. It is a message that giving up is never an option no matter how hard it gets; we are all here to fulfill a destiny. Across the duration of the track, sultry chords and melody overlay a dynamic percussive production. Driving vocals and enchanting chants weave across the afro-house foundation, seeing &friends collaborator El-Jay & Oluwadamvic deliver a poignant message of ancestry, culture and perseverance that truly sees the vision of the track embodying 'Hunters of Hope' through to fruition. Mastered by Cassian Irvine, Leo Butler. Photography and Graphics Ilias Hosain. Executive Producer MoBlack. Distributed by Muting The Noise.

Raffa Guido, Moeaike and Nab debut on MoBlack Records, delivering a trio of unique tracks strung together by shared lyrics. First in line, Swiss-based artist Raffa Guido reconnects with his Spanish roots through "Famax." Graced with sultry Iberian undertones and permeating electronic nuances, 'Famax' carries alluring Spanish vocals across a tapestry of dynamic beats, emotive swells, and captivating resonance. Up next, Italian duo, Moeaike inject their deft touch and sublime synergy into "Mala Fama". Mingling earthy soundscapes with crisp electronic modulations and euphoric melodies, this kaleidoscopic musical journey is rife with luminous strings and timbres. Wrapping up the EP, Tunisian producer NAB yields his edgy interpretation. Fueled by electrifying riffs and viscous rhythms, "Yafama '' weaves raw instrumentals to amplify its vibrations - an effervescent anthem poised to ignite dancefloors. "Famax," "Mala Fama" and "Yafama" all shine in their own right, yet in tandem, celebrate the universal language of music and the emotions that bind humanity at the core. Words by Marie J Floro. Artwork by Rachael D'Alessandro. "Famax" and "Yafama" mastering by Daniele Mattiuzzi. Executive Producer Mimmo Falcone. Distribution by Muting The Noise.

DJ/producer Ahmed Spins debuts on MoBlack, together with legendary Kologo maestro Stevo Atambire and South African songstress, Lizwi. The Boston-based artist ushers in his two-track EP through a synergetic collaboration with one of Afro House's most compelling vocalists and gifted musicians. Vitalized by Stevo Atambire's affective Frafra vocals, 'Anchor Point' is a gratifying calibration and an immersion into the deep combers of house - rife with dynamic Afro rhythms, permeating strings and eloquent vocal gradients. 'Waves & wavs' concludes the saga - powered by robust percussion and the sorcery of Lizwi's soul-nourishing balladry. Driven by climactic progressions, euphoric melodies and transcendent Moroccan sounds, this harmonic litany interlaces lucid electronic pulses with elemental acoustics to perpetuate a pensive dancefloor meditation. Press by Marie J Floro

Raffa Guido, Moeaike and Nab debut on MoBlack Records, delivering a trio of unique tracks strung together by shared lyrics. First in line, Swiss-based artist Raffa Guido reconnects with his Spanish roots through "Famax." Graced with sultry Iberian undertones and permeating electronic nuances, 'Famax' carries alluring Spanish vocals across a tapestry of dynamic beats, emotive swells, and captivating resonance. Up next, Italian duo, Moeaike inject their deft touch and sublime synergy into "Mala Fama". Mingling earthy soundscapes with crisp electronic modulations and euphoric melodies, this kaleidoscopic musical journey is rife with luminous strings and timbres. Wrapping up the EP, Tunisian producer NAB yields his edgy interpretation. Fueled by electrifying riffs and viscous rhythms, "Yafama '' weaves raw instrumentals to amplify its vibrations - an effervescent anthem poised to ignite dancefloors. "Famax," "Mala Fama" and "Yafama" all shine in their own right, yet in tandem, celebrate the universal language of music and the emotions that bind humanity at the core. Words by Marie J Floro. Artwork by Rachael D'Alessandro. "Famax" and "Yafama" mastering by Daniele Mattiuzzi. Executive Producer Mimmo Falcone. Distribution by Muting The Noise.

A label compilation can be the first sign of a new cycle. After years shaped by individual trajectories, it brings the focus back to what made scenes powerful in the first place: shared language, mutual influence and a sense of collective movement. For a label built on deep rhythm, organic textures and emotional drive, this carries an even stronger meaning. These musical spaces hold connection, memory and exchange at their core. In this light, a compilation becomes more than a format: it becomes a statement of identity, a meeting point where different voices contribute to one evolving vision. "MoBlack presents: MELODIC NIGHTS" marks the start of this new MoBlack path guided by careful curation and artistic exchange, blending percussive depth with a more melodic approach. The result is a four-track selection navigating different shades of introspection and release, held together by a strong and recognizable sonic character. Klement Bonelli – "It's My Life" sets the tone with a bold, emotionally charged cut that balances melodic lift with a club-focused pulse. it's jud, MR.FULLTIM€ – "Jackfruit" adds a distinctive twist to the journey, playful in texture yet precise in its impulse, widening the palette with character and movement. Jay' (CH) – "Our Fire" leans into atmosphere and intensity, building momentum through evocative harmonies and a steady emotional current. Max Zotti, Blaxx – "Release Your Pain" closes the collection with a cathartic, rhythm-led energy, delivering what feels both intimate and dancefloor-ready. More than a one-off release, "MELODIC NIGHTS" introduces a collection designed to highlight converging sensibilities, where each track stands on its own while contributing to a wider narrative. Artwork by Rachael D'Alessandro. Executive producer Mimmo Falcone. Distribution by Muting The Noise.

MoBlack Records Afro House

'Test If I' brings The Wild Child, Zac Martell and Pria together in a collaboration that unfolds slowly and deliberately. Built on repetition, the track leans into trippy synths anda steady bassline that stays constant as everything else shifts around it. The groove creeps forward, giving space to small details and letting layers come together in their own time. Mechanical tones pulse through the background, sharp and controlled, yet softened by sounds that feel distant and almost celestial. A sparse vocal line drifts in andout, unresolved, adding a quiet sense of tension without asking for answers. Futuristic and immersive, the track resists urgency, choosing instead to sit in its own atmosphere. It's a piece that builds trust through patience, drawing you in gradually and holding you there. Artwork by Rachael D'Alessandro. Words by Marie Floro. Executive Producer Mimmo Falcone. Distribution by Muting The Noise.

MoBlack Records Afro House

'Allez Allez' opens with movement already in motion, pulling Enzo Siffredi, Malek Mhedhbi and Chook into a shared rhythmic language. The drums strike with intent, while verdant percussion feels alive, pushing the groove forward with natural vitality. There's a fire running through the rhythm—upbeat and contagious—carried by patterns that repeat just enough to draw you in. Layers of sound stack and stretch, creating a hypnotic resonance that settles deep rather than sitting on the surface. Melodic fragments surface between the drums, adding texture without slowing the pace. Everything here points forward, an open gesture, a quiet insistence to move. 'Allez Allez' doesn't overstate itself—it simply invites you in and lets the rhythm do the rest. Artwork by Rachael D'Alessandro. Words by Marie Floro. Executive Producer Mimmo Falcone. Distribution by Muting The Noise.

In this new chapter of If I Could Stop the Sunset, two distinctive reinterpretations expand the emotional landscape of the original, each illuminating a different facet of twilights allure. David Mackay infuses the track with radiant warmth, sculpting shimmering synth lines and soft-lit melodies that echo the final moments of daylight. His rework drifts in the golden haze of sunset, capturing that fragile instant where time seems to slow, inviting a deeper surrender to the fading glow. Roy Rosenfeld, in contrast, guides the piece into the magnetic pull of nightfall. With his signature blend of atmospheric depth and refined tension, he shapes a soundscape where sleek percussion and expansive harmonics rise like the first stars against a darkening sky. His remix transforms the track into an introspective nocturnal journey, honouring the originals sense of wonder while revealing its shadowed, more contemplative dimension. Together, the two remixes trace the delicate arc between day and night: a continuum of warmth, stillness and quiet transcendence expanding the narrative of If I Could Stop the Sunset into a fuller, more immersive cycle of light and darkness. Artwork by Rachael DAlessandro. David Mackay mix & master by Wave Life Studio. Executive Producer Mimmo Falcone. Distribution by Muting The Noise.