Top 100 Chart placements for Invisible Inc (UK)
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Invisible Inc once again presents another incredible full-length album from the talented Double Geography. Following on from 2020's The Indoor Gardener, the new LP Open Water is bathed in a similar blissful atmosphere...it would be appropriate to describe it as rather sublime. Double Geography aka Duncan Thornley (one half of Weird Weather and studio engineer at MAP Studios), following the success of his debut album The Indoor Gardener (also on Invisible Inc) had sent Invisible Inc label boss GK Machine demos of his second and third album, which the label reluctantly declined on the basis that the music didn't sound quite right for the label. However, this fourth studio album fits the bill perfectly. Leaning towards the label's more ambient and laidback output, the album is themed around water, transition and escape and sounds as unshackled and free-flowing as you'd expect...you can almost feel the breeze in the air and the sun on your skin. The album is a progression from his previous releases, this time featuring several additional musicians to compliment Thornley's electronics with live instrumentation...adding a complexity and depth to each of these compositions and an overall 'organic' quality that makes these new pieces sound like quite a departure from the first album. But departures of another form is what this album is all about. Fretless bass, clarinet and saxophone decorate the music with refrains and melodies that have been enchanting our reveries since first hearing them. _________________________ I wanted to incorporate some live musicians on this release so called upon some of the talent I'd worked with as an engineer at MAP Studios...that was the main drive behind the music for this release. The tracks are named after things that relate to either leaving behind canal boat living, e.g. Goodbye Great Escape (Great Escape was the name of our boat) or memories from a trip to Hydra, Greece. All sorta water related On one of our walks around the island we ended up sharing a beach with Pierluigi Collina hence Famous Italian Referee! That track felt like the weirdest of the bunch so it got designated the weirdest name / memory! (Duncan Thornley, March 2024) Duncan Thornley - synthesizers, programming, percussion Adam Hayes - drum kit, roto-toms (A1, A3, A5) Pike Ogilvy - congas (A2, A3) Jasper Osbourne - fretless bass (A1, A3, A5) Kaidi Akinnibi - tenor and soprano saxophones (A1, A5) Simeon May - bass clarinet (A2, A3, B2, B4) Greg Foat - piano (B1)
Composed between 2020 and 2021, these three pieces have lain in waiting ever since, maturing like a fine wine, and now ready for consumption by musical connoisseurs the world over. Triptych as the title suggests features three tracks, the opening title track being a Triptych in itself; a musical journey that flows continuously through three interconnected sections that elicit three distinct atmospheres as we weave our way through the full 13 minute of its length. Touch Air, is a rhythmic odyssey, a trance-like production masterpiece for spiritual enrichment. Pythagoras in Japan is an ambient trip to the far east. Drifting on a tanpura-like drone the piece floats off to infinity as waves of sound enmesh one another while spoken-word poetry transports us to Pythagoras' final destination.