Bass House
Top 100 Chart placements for Bass House
Updated 6 hours ago
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#10
Feat. Staff Picks in Bass House
I Cannot
Following an explosive start in September 2025 with their most recent single “Maximum”, powerhouse duo Anti Up which are made up of Chris Lake and Chris Lorenzo, make a triumphant return with their electrifying second release of the year, “I Cannot”, dropping on November 7th via their own imprint, Anti Up. Their momentum this year has been nothing short of explosive. The pair made a high-profile return to the stage with a standout live performance at Portola Festival in San Francisco on September 19th, commanding a fully packed Warehouse stage just before The Chemical Brothers took the stage. “Maximum” and the live show served as the perfect reintroduction, earning widespread acclaim both online and from the untamed and chaotic festival crowd. Now, “I Cannot” arrives as the essential follow up, showcasing everything that makes Anti Up a staple in the modern house scene. Anchored by a hypnotic vocal hook and underpinned by irresistibly bouncy basslines, and driving, industrial strength synths, and a drop so explosive and unapologetic, it commands attention the moment it hits. The record has already caught the attention of major international tastemakers as Mau P played the record during his sold-out shows at Los Angeles State Historic Park on October 10th and 11th, while Peggy Gou included it in her set during the closing ceremony at UNVRS, further cementing its status as a staple anthem that’s here to stay. Together, as Anti Up, they represent more than a collaboration with their manifesto - Never established. Never limited. Keep Calm. Says Who?. With a shared ethos rooted in rebellion, inclusivity, and uncompromising creativity, Anti Up continues to carve out a lane entirely their own where rules are broken, boundaries are blurred, and authenticity reigns supreme.
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#14
Feat. Staff Picks in Bass House
Come Closer (Extended Mix)
Come Closer isnt here to please — it pulls you in. A dirty, unpolished Tech House weapon that feeds off tension and restraint. The bassline growls with intent, heavy and relentless, while the vocal whispers its command: Follow me into the abyss, come closer and see… Its a lure and a warning at the same time — seductive, eerie, and impossible to ignore. Lindenthal builds the track like a descent — layer by layer, groove by groove, until you realize theres no way back up. The drums grind with warehouse grit, the synth stabs cut through the murk, and the space between beats feels charged with static. Every drop hits like a pulse under the skin. This isnt a summer anthem or a chart-chaser — its late-night material for those who like their House rough, sweaty, and a little dangerous.
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#22
Feat. Staff Picks in Bass House
Bugatti - Benny Benassi & Laherte Remix
Benny Benassi and Laherte take Tiga and Pusha Ts Bugatti for a spin, delivering a remix brimming with drive and attitude. With a turbo-charged bassline, flashy synths and a cool rap vocal, this track is a clubbers ultimate ride-or-die.
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#56
Feat. Staff Picks in Bass House
Wet
Ciszak and James Indigo just teamed up for a bass house bomb thats as cheeky as it is heavy. As discovered by Claude VonStroke, Ciszak has become a regular on the iconic Dirtybird imprint with other releases on respectable labels such as Cajual, Relief and Box of Cats. His music has led him to be supported from Green Velvet, Chris Lake, Jamie Jones and Lee Foss, plus sets at Dirtybird Campout and EDC. This time, Ciszak teams up with James Indigo on vocals, the London rapper fashioned as a Trailblazer by Attitude magazine. James is also supported by BBC Radio 1 which has helped build his portfolio that includes festival shows from Mighty Hoopla to the iconic Ministry of Sound. Wet features the best of both of their talents. Its bold, bass-heavy, with unapologetic attitude.
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#69
Feat. Staff Picks in Bass House
Drippin
Built on thick low-end pressure, Drippin drives forward with basslines that bend the whole room around their frequency. The vocal is raw, dirty, and insistent — drippin it, rippin it — looping like a challenge that keeps pulling you deeper into the groove. Every strike of the beat winds the tension tighter, daring the crowd to give in. What makes it stick is the contrast: the simplicity of the hook against the weight of the drums, the hypnotic repetition balanced by sudden bursts of release. Its not about polish or restraint, its about sweat, pulse, and that one hook echoing long after the system cools down. Drippin is the track that locks the night into its rhythm and doesnt let go.
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#70
Feat. Staff Picks in Bass House
Rude Boy
This release isnt just a first for ARRCHA, its his official arrival to the underground. Hailing from the UK, ARRCHA makes his debut release on Strangelove. Earlier this year at the Brighton Music Conference, his demo landed in front of Toolrooms A&R team… and within seconds, they knew they had to sign it on the spot. The energy, the production quality, the sheer vibe of the record was undeniable. You can already tell this is an artist with his own fingerprint, one who knows how to balance underground tech house with UKG flavours. ARRCHA has arrived, and this is just the beginning.
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#72
Feat. Staff Picks in Bass House
Synthesizer EP
Airwolf Paradise is back on Diynamic with Synthesizer, a two-tracker EP that hits the floor from every corner. The title track bursts in with early 2000s four-to-the-floor peak synth vibes, vocals gliding over a relentless, driving bassline. Push Pull steps in next, acid chords slicing through the mix, layered vocals pushing the energy higher - like two friends taking over the dancefloor, pulling the night into a fever pitch. Lights flash, smoke drifts and the tracks carry the party forward until dawn.
