The Sound of Limo arrives at its grand finale and 20th release. There's no one more fitting for the closing than Sweely, one of our generation's great house producers, with four proven nuggets taken from his inimitable live set, including the pièce de résistance, Shake Dat Thang. What happens next is anybody's guess!

Visionquest

Respect The Craft

On the next Echocentric and R.A.N.D. MYKI checks in with four tech/progressive rollers that skip the small talk.

Tartelet Records

Berg Audio

Pirka's 42nd release features the deep, refined sounds of Barcelona-based producer DJ Sandwich. The original material is paired with two distinct remixes: a hypnotic, driving rework of 'L'amour' by French producer Gunnter and a textural, atmospheric take on 'Toda La Noche' by Latvian producer Mike Sharon. Representing three different countries, the EP highlights a commitment to cross-border collaboration and pristine, functional sound design.

07/52: Weekly transmissions from the M-Plant archive

Overworked (US) delivers his Let's Get Set EP on Dialed Records, a bold statement that sets the tone and direction of his progressive house sound. With previous releases on UVAR, Front Left, and NZT Records, Jerry Lara presents Let's Get Set as both a title and a declaration of his artistic vision. Drawing influence from the 80s and 90s, Overworked is known for crafting late night, dance floor focused productions that balance nostalgia with modern energy. The EP blends funky grooves with old school UK inspired house, driven by mega bounce basslines and anthem style synths built for peak time moments. Already supported by respected artists including Ky William, Micky Hurts, Mungo Sound Machine, and Nu Zau, Let's Get Set is making its mark on dance floors around the world.

Pleasure Zone

We are truly excited to announce the release to celebrate the labels eight-year anniversary, with the return of hosts Smoud Beats with the Blop. They strive to consistently express their background, this time with rhythmic groove nuances, with a minimalist approach reflected in the use of essential sound elements integrating more atmospheric and fluid sounds, also with soft synths, distorted vocal samples, and minimal melodic lines which add an atmosphere of depth to the music. Proud to have the return of Umberto! after almost six years with his alias on the remix duties. Maintaining both his style with dark and minimal facets, but also the sound of the originals track, so as to together force an introspective journey to be expressed on the dancefloor. We are truly happy to have him back.

fabric Records

Love on Cropsey

Melbourne / Naarm stronghold Butter Sessionsclock 15 years in the game with a trilogy of 12s, sustaining their uncompromising streak of peak-form electronics. The family-style V/A binds friends, collaborators, former studio neighbours and DJ booth allies, capturing a label that exists as community as much as catalogue. Disc Two lifts off with recurring contributor Rory McPikes first label outing as Rings Around Saturn, a blissed-out cosmic floater skimming the periphery. Booked in the early days of the labels formative Mania residency, Japanese don Gonno twists freestyle, techno and breaks into pure ecstasy, before the unerringly bold Jennifer Loveless spikes the punch with a hallucinatory mix of drums, disembodied voice and jazz club keys. On the flip, Boorloos Guy Contact rolls out Dance In The Grey, a shadowy prog churn pitched between new-romantic vocal sheen and EBM muscle, with Kate Miller completely rewiring the script on Sub Series E - a masterfully minimal, double-time meditation. suki presents his Sniper1 alias to close with a demonic body-jacking groove loaded for the system. Whether taken alone or folded into the three-disc triptych, each instalment stands as a bag-ready constant, charged with Butter Sessions curatorial finesse.

Another exciting Remix Game release! For this volume Pablo Bolivar recorded a video tutorial making a track from scratch only with sounds created with a Behringer Deepmind 12, and he shared all the sound extracted from that project with his Patreon supporters. The final result it is awesome, twelve interpretations from talented artists in very different styles. This is the power of music, it unites and create special moments like this one. Thanks to all the artists involver for their personal style and amazing work!

Let Me Begin A Deep Party marks GS5s debut release on our label-family, presenting a concise yet impactful Tech House / Deep Tech collection of tracks that seamlessly balances club-ready energy with underground sophistication. The release number one hundred and twenty-four includes two collaborations: There Is A Party with Jason Detox, a driving, percussive peak-time weapon and Let Me Begin alongside Londen Summers, which ventures deeper with sultry atmospheres and a hypnotic groove. The EP closes with Deeper, a stripped-back solo cut that reveals a darker, more minimal side of the artist sound. Following recent collaborations with Lee Foss and releases on hiw own labels Repopulate Mars and Hot Creations, this record further solidifies GS5s growing reputation as a producer finely attuned to modern dancefloor dynamics, showcasing his ability to merge underground credibility. Distributed by Pressology - www.pressology.net

[DAM42] The variety of sounds, united by a common sense of rhythm and depth, makes this release a true collection of sonic stories. Each track invites you on a unique journey - from hypnotic depths to the lightness of melodies and experimental grooves. Mastering by Kashatskikh Studio. Design & Illustration by Kirill Kashatskikh

Well-known and firmly established as a platform for high-quality music, Ray Okpara's AMA Recordings proudly presents its 49th release, titled 'Ray's Lost Tunes Part 1.' Based in Mannheim, Germany, Ray continues to shape the underground house scene with his signature deep and rolling grooves. This EP features four original tracks showcasing his timeless sound and passion for rhythm-driven, dancefloor-ready music. Enjoy the music and keep the vibe alive on the dancefloor!

TRIREC026 - Lee Humphreys - Get Down Triangle Records kicks off 2026 with a statement of intent -a fresh chapter, a new energy, and a legendary name pulled back into the underground frontline. After a long sabbatical, Lee Humphreys returns to the fray, and he's not easing his way in-he's dropping a full- bodied, system-shaking techno workout that reminds the scene exactly why his back catalogue (Swag, Evasive Records, Plastic City...) is still referenced by DJs who know their craft. TRIREC026 delivers a trio of cuts built for dark rooms, laser haze and heads-down moments-each one aimed squarely at shaking loose the winter heaviness and kick- starting the year on a proper subterranean high. It's time to Get Down. Lee Humphreys - Get Down (Original Mix) Humphreys returns with a mission. Dark, undulating synths? Check. Piston-like groove engine? Check. A bassline that growls from the floor up? Double check. The Original Mix is a stormer of deep, shadow-techno pressure, powered by a hypnotic vocal hook that locks you in and drags you straight into the pulse of the club. It's lean, it's moody, it's precision-engineered for 3 a.m. moments. An absolute weapon-and an immaculate way to welcome Humphreys into the Triangle Records family. Expect this one to live in DJ bags for months. Lee Humphreys - Get Down (Rob Pearson Mix) When we say 'Tech House veteran,' we mean Rob Pearson-a man whose drums have been tattooing dancefloors for decades. Here, he tears into Get Down with that trademark dirty, rolling, deep-tech swagger, delivering a faster, sweat- dripping, groove-forward rework that shifts the track straight into peak-time territory. It's packed with tripped-out FX, sliced-up textures, twisted stabs and percussive attitude-a remix that pushes the energy while keeping its underground grit intact. Trust us: this one slaps harder than expected. Lee Humphreys - Get Down (Eviltron Mix) Closing the EP, Eviltron arrives from the shadows with a remix built for late-night souls who like their techno haunting, cinematic and just a touch unhinged. This version prowls-slowly at first-before unleashing a bassline that cuts through the room like a blade. It's darker, deeper, and drenched in the kind of eerie atmosphere only Eviltron could conjure. If you've ever wondered how twisted his studio mind gets... this is your answer. All Tracks expertly Mastered by Rob Pearson at Online Studios

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