ANTHR FCKNG PARTY

Six tracks. Six undeniable hits. Science can't explain it. Four dazzling pdqb originals: pop-infused disco house transmissions where retro dreams collide with absurdly modern groove technology and hyper-modern circuitry. Hooks everywhere. Basslines that flirt shamelessly with eternity. Rhythms that know exactly what they're doing. And then Roman Flügel arrives at the party. With two remixes of such dubby, technoid magnificence that they bend the laws of physics wherever they're played.

Eluize welcomes Tony y Not, Eira Haul and Hi, I'm Jack, to reinterpret more tracks from the album on Believe Rescripted II Tony y Not (Kompakt, Live at Robert Johnson) starts us off, with her dark, pulsing take on Solitary, adding punch and depth, gritty low end moves us forward, while delicate keys and glistening pads offer moments of light Eira Haul's (Limousine Dream, R.A.N.D) rework of Impatience is a beauty, somewhere in the ambient, chill sphere, nostalgic nods to 90s electronica, broken beat, gristly drums, between atmospheric synths and polyrhythmically twirling melodies sooth the spirit in a delightfully patient way. Hi, I'm Jack (Ephemera, Acetic) takes Captive into deep, techno territory, rolling bass and thumping kicks ground the track, while galactic sounding melodies fall all around.

Maccabi House

Notre Dame returns to Diynamic with "No Rules," an EP built to break boundaries and refuse to follow the script. The title track hits with a smashing kick and dreamy synths that pull you back to the gold old days, followed by the playful percussion of "Troublemakers" - a tribute to those fun, carefree moments. "Watch Me" snaps you in with a powerful vocal, tying everything together into a defiant, high-energy anthem. An EP that leaves you completely submerged in a timeless state of pure nostalgia.

It's been more than ten years since Rolando debuted with his sought after self-titled EP on 030303 and it is thrilling to see the producer - who has always managed to remain a sort of best kept secret, admired only by the heads - still surf those high waves of creativity. Lifephorce is bound to be an instant classic, leaving instant marks on the listener's soul with unsettling yet mesmerising chord changes, a heavy throbbing bassline and generally a deep, introspective outlook on the dancefloor. Sterilize the Club brings back memories of face masks (thank you Rolando), but soundwise this is face to the ground stomping braindance material. Just as driving but more melancholic are Dot Zoner and Exit Your Own Realm. Classic Rolando Simmons, this one. If you know you know...

Get Physical Music

Below the Horizon Volume Two lands with more exclusive low slung, mid tempo Twilight Dubs and Balearic Chuggers, tastefully curated by Pete Herbert. On Side one, kicking things off, Herbert's East meets West flavoured remix of Leo Zero and Deighton's Totem Projects cut Time. Next Statues land their first of a few exclusives for the label with the deep bubbling Andromeda. Tokyo's Max Essa and a label regular gives us the organic uplifting feeling of Just After Nine. Next up Ilija Rudman and Antonio Zaza aka Imogen Soundsystem drop Giselle, a powerful Synth heavy floater. Side Two takes off with At Zuka, Pete's ode to the old Ibiza town hideaway bar from the late 90s, whilst Kasper Bjorke and El Agua Es Profunda drop a deep proto Balearic dancefloor beauty, followed by Gafas du Soul's euphoric organic synth skills and rounding off with Herberts killer floor friendly remix of James Brights Knight and The Sun.

Espacio CIELO

SONARA Records

Get Physical Music

Sincopat proudly welcomes back Komilev and Island Hill, who join forces on "Believe In Me," a track that breathes emotional depth and melodic sensitivity. Crafted from introspection and aimed straight at the heart of the dancefloor, this is a journey for both the soul and the feet. The original unfolds through an immersive narrative where atmospheric textures and a vulnerable vocal line intertwine with refined, elegant production. "Believe In Me" doesn't chase immediate impact, instead it grows organically, building an intimate connection that evolves into a hypnotic, nuanced groove. On remix duties, Alican reinterprets the track from a more subtle and sophisticated angle, playing with space and dynamics to create an elegant journey where every element breathes within a refined and immersive soundscape. AFFKT on the other hand, delivers his unmistakable signature, reshaping the track into a more club-driven experience. With a carefully built tension and a powerful sonic architecture, his version preserves the emotional core while pushing it into deeper and more expansive territory. "Believe In Me" stands as a complete and versatile release, where three distinct visions converge around a single idea: emotion as the driving force of electronic music. Enjoy!

For its 43rd release, Darlyn Vlys delivers a new intense and hypnotic chapter on Polaris with "Kitt". Blending mechanical tension with cold emotion, the track draws from a cinematic, nocturnal aesthetic — a journey between shadow and light. Dark synths, a captivating vocal, and throbbing basslines unfold with controlled intensity, creating a true dancefloor energy that is both immersive and driving. To complete the release, Waltervelt (Diynamic, Ellum) delivers a subtle and immersive reinterpretation of "Kitt". He reshapes the original into a more spacious direction, infused with dub influences and a wide, hypnotic groove. The energy builds gradually, balancing depth and control while allowing each element to breathe with precision. A release that perfectly embodies the Polaris identity: dark, refined, and timeless.

Firungi & Kaito Henry unveil their second official collaboration with Maswea - a complex indie dance cut infused with West African influence and psychedelic tension. Anchored by a dynamic, syncopated bassline, the track unfolds through hypnotic builds, tripped-out atmospheres, and traditional melodic detail before arriving at a cathartic drop that feels both emotional and explosive. There's a ritualistic energy to Maswea - raw, transportive, and built to pull dancers into a deeper state - while its sweeping melodic release gives the record a cinematic edge. Designed for peak-time moments and open-air settings alike, Maswea captures a deeper, more spiritual side of the duo's sound while further defining Fly Foreign Records' globally minded club identity.

Club Sweat

DJ, producer and musician Cable Toy, whose tracks are being played at Dekmantel, Panoramabar, Boiler Room and Coachella, follows up releases for Jex Opolis Good Timin imprint, a remix for Wolfram Feat. Peaches on Public Posession, Toy Tonics (forthcoming comp) and Exploited Club with Mufonyala; a perfectly poised party track lands somewhere between Mood II Swing and Peggy Gou. The original mix is a bountiful groove that laces snappy 808 drums over a deep, sneaky bass line and warm, buttery synth tones. The vocals are from friend Fotiniya and - although non-sensical - provide a pop of colour and give the sound a truly singular seasoning. The remix channels the same spirit as the original but shifts it up a gear into more pacy, percussive territory. Shuffling snares and a slightly plumper bass line offer a second side to a coin that conjures the spirit of Panorama Sundays and renders a vivid image of the misty hue of daylight passing through the shutters.

Re:Sound Music

Temporary Pleasures

What you see is what you keep. On Display. From Nuran & Differ: On Display. A domestic stereo unit with transparent front section for continuous visual confirmation. All components visible. All functions exposed. Nothing hidden behind panel or promise. You switch on. It stays on. Integrated amplifier core with steady output behavior. Dual speaker alignment for left and right agreement. Indicator lights remain active even when nothing happens. Recommended for rooms with seating and attention. Visitors may look longer than expected. Nuran & Differ – On Display. Because presence should be visible.

Rocket Recordings