Warp Records

Planet Mu

Planet E Communications

Good Timin'

Calibre announces his new album 'Tricklemore Sea', set for release on gatefold double vinyl, CD and digital on 1st May via Signature Recordings. A deeply personal and exploratory body of work, the album moves through ambient, shoegaze, electronic, blues and folk, all subtly shaped by the low-end sensibility that has defined his music for decades. It resists easy categorisation, reflecting an ongoing interest in blending bass culture with forms that sit outside it. Following the release of 'They Want You' at the end of 2025, this new project marks a clear shift in tone. Where that record leans into intensity and forward momentum, 'Tricklemore Sea' turns inward, occupying a more introspective space. Featuring entirely his own vocals and production, it carries a more exposed and vulnerable quality. The album has taken shape gradually, drawing from material written in the years after 'Planet Hearth'. Rather than forming around a fixed concept, it emerges as a collection of pieces connected by tone and instinct. Tracks move between simplicity and abstraction, with piano-led compositions sitting alongside field recordings, improvisations and bass-driven works. Ideas often begin quickly, then evolve over long periods of revisiting and reworking. His voice takes on a more central role throughout, bringing a heightened sense of vulnerability. Lyrics and delivery are often left open, allowing space for interpretation. His process remains fluid and instinctive, with ideas written quickly, revisited over time and combined across different periods. Moments such as 'Little Blend' carry a quiet melancholia balanced with hope, while 'Free One' reflects on the pressures of contemporary life. The title track considers the scale of human existence within a wider universe, framing individual lives as small but meaningful within something larger. Elsewhere, 'Deflower' and 'Pigeon Luncheon' draw from recordings made in Berlin at the end of lockdown, capturing a sense of movement and return. Older material, including 'Living In Your Head' and 'Hyndsight', is recontextualised and sits naturally alongside newer work. Threads from his wider catalogue remain present. 'Able Son Dub' nods to longstanding reggae influences, while 'Bit Broken Stream' appears here in a downtempo form alongside its drum and bass counterpart from 'They Want You'. Tracks like 'United Pull' and 'Mizzle Mine' lean further into abstraction, using minimal language and space to suggest mood rather than define it. Over more than 30 years, Calibre has built a catalogue that moves across drum and bass, ambient, dub, techno, house, jazz, soul, blues and folk. His work is marked by restraint, quiet melancholy and a singular approach that continues to evolve. Complete authorship remains central, with all vocals, lyrics and production on both 'They Want You' and 'Tricklemore Sea' created solely by him. This breadth extends into his DJ sets, where he draws heavily from his own catalogue, often performing entirely self-produced material across a wide range of tempos and styles. His ability to move between contexts has seen him play at Boomtown, Houghton and Atonal Berlin, delivering distinct sets while maintaining a clear identity. With 'Tricklemore Sea', that identity leans toward stillness, introspection and emotional depth. It is a record that prioritises feeling over definition, holding space for ambiguity while remaining grounded in a strong sense of authorship. Each release carries an element of exposure, a moment of vulnerability in letting the work go. At its core, the album seeks to capture something fleeting but recognisable, a sense of beauty that sits just beyond language. He describes it simply: "The river inside of me flowing into the sea."

Anjunadeep Explorations

Axis Records

Scissor & Thread

On April 24, Anja Schneider presents a unique interdisciplinary project at the Salzburg Easter Festival, created in collaboration with renowned Berlin photographer Sven Marquardt. Set against the backdrop of Der Ring des Nibelungen, the evening offers a contemporary urban interpretation of Wagner's monumental work. Blending electronic music, visual art, and operatic elements, the performance reimagines Die Nibelungen through a modern, dystopian lens-raw, emotional, and deeply immersive. Accompanied by Marquardt's striking photographic works, Anja Schneider delivers an eclectic DJ set that engages directly with Wagner's themes, translating them into a deeply emotional electronic language. The result is an intense and captivating experience that draws the audience into a new sonic and visual narrative. As part of this project, Schneider has produced the Artbroken EP in collaboration with Toni Planet. The release also features Berlin-based Brazilian opera singer João Tinen, whose voice adds a dramatic and expressive dimension to the work. The EP, titled after "Heartbroken"-the name given to the show by Sven Marquardt and Anja Schneider-will be released as a four-track project. The first part drops on April 2nd, marking the beginning of a deeply personal and artistically bold series. Musically, Heartbroken EP represents one of the most emotional and introspective bodies of work in Anja Schneider's career. Eclectic, contemporary, and uncompromising, the tracks offer a rare glimpse into the artist's inner world-layered with vulnerability, intensity, and depth. Framed by the evocative imagery of Sven Marquardt, this release transcends traditional genre boundaries, merging electronic music with operatic expression and visual storytelling into a singular artistic statement.

Anjunadeep Explorations

JH Recordings

kshack

Pinchy & Friends

Erased Tapes

Theiz returns to EPM in their 25th year with his sixth release on the label. A heartfelt EP of emotional electronics, dedicated to his late father in law. Dutch producer Mathijs Schippers (aka Theiz), now Belgium-based, while honouring his early 90s roots, has gained steady traction through the 2020s with releases on Belgium's Crossfadesounds, Iceland's Moatun7, Canada's Stasis Recordings and a steady home at EPM Music. He continues crafting evocative music blending soulful techno with ambient, dub and broken beat influences. The EP starts with the uncoiling, dappled warmth of Sunrise Dub before Play The Game takes us even deeper into the calming embrace of Theizs machines. Then we up the tempo with the more dancefloor focussed Its Raining Stars and finally the title track When The Machines Are Unplugged: Finally Rest injects a sharper edge into the glowing sonic palette. When The Machines Are Unplugged; Finally Rest is my way of processing the passing of my father in law, who found peace after decades of psychological suffering and a final coma. My music often transforms what happens around me into soundnot to impose that emotion on the listener but to offer a space where others might find something they need, just as I did while creating it.

Boom Records LLC

Bright morning. To noon and into afternoon. To dusk and the inky night. A major new exhibition of Mammos music spread across a triple disc, twelve track album. Call it a compendium or summary, a network of sparking neurons and painted landscapes in techno. It folds in all the aspects of his other identities (self-)released over the last few years into an ultimate package ~ Heaven Smile, Ax, CoA-A, E35, Puddlerunner; really any other project Fabiano has assumed an identity under. It all finds its way into the code and format of Lateral in some way or another. Here the ground is given for the listener to hear just how much range and individual language there is in the music hes been making. Fully immersive, inventive and detailed while also elegant and light of touch. Its quite a package from one of the most talented techno producers right now, gesturing towards different genres and novel ideas in beautiful and intuitive fashion. Break the pack down for your preferred disc of the day if you like. Its designed with that modularity in mind. Disc one sparkles with vitality and a buoyancy. The middle disc has more drive and harder bites that you may want to amplify and split out to slot in a DJ bag. Sides five and six move into deeper, dreamier and more emotional techno in twilight. Each one is a little distinct and has its own orbit. But give it your full attention on the turntable platter too. A listen from beginning to end. Theres lovely dynamics and interplays in the narrative, and its a remarkable new body of work to let your time dilate to.

Y-3, the pioneering sports-fashion collaboration between adidas and Yohji Yamamoto, has for three decades dwelled calmly within the tensions of existence. In conceiving the brands long-awaited return to runway format at Paris Fashion Week, these codes laid the groundwork leading up to the Spring/Summer 2025 season. Whilst the focus for runway is traditionally placed on garments, models, styling, environment, and the pageantry in between it was crucial that music play an integral role in the conversation. Three seasons later, sound has informed creative direction from the very earliest phases of ideation. Commissioning all-original compositions has become a natural part of this ideology. The return to runway has invited the opportunity to define a new sonic palette for the brand, and beyond that, to usher in a new era of sound for Y-3 that echoes across music & culture. Following this ethos, and with a mandate to support obscure talent, Montreal duo Solitary Dancer have emerged as the first collaborators in shaping the intimate brand architecture of noise & feeling. With a body of work now spanning over a trilogy of seasons, the genre-defying Y-3000 imprint provides an outlet to disseminate & recontexualize the original compositions beyond the traditional runway. The label embodies Y-3s enduring commitment to explore innovation within opposing cultural forces. The works, originally released on Y-3000 as a series of white labels, are now being featured as a 612 vinyl compilation. Designed by Trevor Jackson and limited to just 99 examples, the recordings will also be made available both digitally and on streaming services for the very first time.

Cristian Vogel reprises his NEL alias for his sixth outing on EPM as he presents NEL and The Instrument of Shapes, an EP featuring two new tracks from the electronic maverick. Cristian Vogel is a long-term innovator in the composition, mixing and performance of electronic sounds. Spanning over 30 years in the vanguard of international electronic music, his work has been acknowledged as an outstanding influence in the fields of composition for stage, club culture and studio. His numerous album releases have graced such esteemed labels as Tresor, Mille Plateaux, novamute, Shitkatapult, Sub Rosa and more recently his own Endless Process label. His studio work as NEL is a departure from his more experimental album and sound design compositions and while these will continue, NEL tracks bear a closer resemblance to Cristians earlier production style, delivering tougher beats and rhythmic textures primarily using Modular synths in a hands on, improvised live-to-tape process. The Instrument of Shapes sees Cristian bury himself back into the deep grooves of dub techno with wonderful subtlety and sound craft to create a slow burning cavern of sound whilst Stepping Stones is a more carefree and loose modular affair that flits across bass and dark electronica with scant regard for a regular beat.

Circus Company