Capital Heaven

The Spring / Summer Collection MMXVI - Volume I. Curated by label boss Norman H this is a collection of 15 Brand new exclusive tracks from producers around the globe.

Pro B Tech Music proudly presents "Girrareff", the latest forward‑thinking EP from the ever‑inventive Hall North. Built on his trademark fusion of deep rhythm, spacious atmospherics, and refined melodic tension, the original mix delivers a hypnotic journey that blurs the lines between progressive, electronica, and cinematic underground shades. Leading the remix pack, legendary producer Barry Jamieson turns in a powerful Electro‑Tech Remix—a tightly‑engineered, high‑voltage rework that injects grit, groove, and precision sound design, pushing the track straight onto peak‑time floors. Tim French contributes two standout interpretations under his Sense of Wonder banner. His first remix embraces shimmering electronica and progressive breaks, weaving emotive synth motifs with dynamic percussive flow. The accompanying Sense of Wonder Instrumental Remix strips things back, letting the hypnotic arrangement and intricate sound tapestry shine on their own. Rounding out the EP, Alto Astral delivers a deep, atmospheric rendition—rich in texture, with a progressive pulse, incorporating their beautiful vocals throughout, —offering a perfect closing chapter to an eclectic, immersive package. A diverse and expertly curated selection of underground flavours, "Girrareff" showcases each artist at their creative best and marks another high‑quality release from Pro B Tech Music. Another that I am hugely proud of and massively thankful to all the artists involved, as well as everyone who continues to support Pro B as an Indy label, Thank you Brent @PBTM

One release, one remix and one album. It's fair to say Broken Chair has found a home on Prognosis. Back with an awesome two track EP that delivers two stunning originals ,as we would expect from this premier breaks artist. Equally Feasible and Look At Me are both worthy of any discerning prog breaks set. Delivering two very different remixes with have Andy Rapkins AKA NDYR has delivered to belting remixes of the lead track. One 4/4 prog house and one ambient delight.

Dissident Music proudly presents Agashfold, a powerful collaboration between three respected names in the progressive breaks and electronica world: Aeron Aether, Kelle, and Ákos Győrfy. Aeron Aether is widely regarded as a pioneer of melodic progressive breaks, and Kelle and Ákos Győrfy have built a strong reputation through their collaborative work on labels such as RUNE Recordings and Morphosis, where their melodic and bass-driven styles complement each other perfectly. The original mix of Agashfold captures a balance of past and future—futuristic sound design layered over an unmistakable nod to the emotional energy of 90s rave culture. Driven by a huge piano riff and soaring melodic elements, the track delivers big dancefloor impact while maintaining the intricate textures and cinematic depth these artists are known for. The result is an uplifting progressive breaks anthem with undeniable emotion, and an unmistakable bullseye for modern floors. We think you will love Agashfold as much as we do. Stay tuned for remixes of this stellar track and lots more from Dissident Music. Thanks for listening!

Berlin-based Austrian producer and musician Tobias Koett, aka Ant Antic, presents his second single for his Feels Like Moving Backwards EP, a debut on Heimlich Musik that marks a decisive shift from his pop-rooted background toward a more club-focused sound while retaining a strong sense of songwriting and emotional depth. Want You, featuring Bearcubs, adds a direct emotional pull to the breakbeat construct, through subtle vocals and warm melodic elements, deepening the singles reflective character. Blending UK-influenced textures with moody, bass-driven production Want You explores nostalgia, reconciliation, and the fragile process of moving on - opening a new chapter for Ant Antic at the intersection of introspection and club culture. Two remixes expands the material into distinct club contexts. Deep Ändi opts for a raw, bass-heavy approach rooted in groove and physicality, while Holly North takes the track firmly onto the dance floor, underpinning it with a steady 4/4 kick and sharpening its club-oriented edge.

A NEWFOUNDZONE HAS ENTERED OUR KNOWING TARAXIAa natural world in its primordial stage, shaped by peculiar soundwaves fed to it through our humansphere portal. GODDEZZ has enjoyed two years of emitting rave and dance music, where our main influence lies. While attempting to instigate rigorous body movements within people inside club spaces and beyond, we realised that music to wind-down-to is also partial to many people's lives, especially in the current events of our earth. GODDEZZ decided to assemble a project of tranquility, with sonic advisors who we wholeheartedly trust to achieve a formula of escapism and naturally beautiful sounds. Welcome to TARAXIA, a 19 track odyssey of ambient, downtempo, ASMR, a teasing of contemporary classical and above all meditative music.

Ocultismo

QEONE

Longtime friend of the label Eraserhead returns after over a decade away from producing music due to his surreal MS Paint work as 'Jim'll Paint It' becoming an unexpected cultural phenomenon. With his debut full-length, 'Violence', Eraserhead presents a truly eclectic electronic LP featuring collaborations with established producers such as Om Unit, Enduser, and Brain Rays, as well as the vocal talents of Nadia Rose, Beans (of Antipop Consortium), and Cadence Weapon. An album held together by theme and tone rather than style or tempo, 'Violence' is the culmination of a bitter wave of inspiration, initially conceived in the wake of a personal tragedy that quickly grew into a broader polemic about the state of the world. Originally linking up with Love Love in its breakcore netlabel infancy with his refined, breaks-heavy breakcore/gabba, Eraserhead's flair for tight, intricate productions was evident in his finely tuned tracks of controlled chaos. This time around, his work is a darker, more expansive evolution of his sound, with the scale upsized and the stylistic scope massively broadened, remaining unfaithful to any single genre, but with firm nods to Breakcore, Grime, Drum & Bass, Techno, Rave, Dubstep, and Footwork, all chewed up with a hard industrial edge and cinematically framed by a backdrop of apocalyptic synths. Opening with the cold tech-noir of 'Shining Brainless Beacon' to set the tone, the album quickly locks in with the blistering spoken-word headrush of 'Hurricane With Teeth' alongside rapper Beans, before Om Unit lends his expertise on the sharp groove and clinical bass blasts of 'Operation Hardtack'. The album shifts and morphs constantly throughout the runtime, moving from the raw and urgent acid techno of 'Crowd Control' to the crunching military march of the Gore Tech collaboration 'No More Worlds' and the tribal sci-fi footwork of the Brain Rays collaboration 'Night Visions'. 'Monolith' provides a final burst of catharsis, channelling Underworld by way of Nine Inch Nails, complete with writhing screams from Amee Chanter of sludge-punk-noise-rock duo Human Leather, before the heart of the album is laid bare with the painfully bleak closing dirge of 'Animal'. In its final moments, 'Violence' leaves the listener suspended between devastation and awe - an unflinching portrait of an uncaring world.

Brooklyn-based techno experimentalist and filmmaker Michelle Roginsky (aka mother) joins Delusional Records with her first-ever musical offering, a cinematic concept EP that weaves medical anxieties into a thematic tapestry of arresting club sonics. In A Simple Procedure, Roginsky evokes the bleak and euphoric duality of femme embodiment; the soundtrack to an unreleased body horror film narrated by ethereal ambience and driving dancefloor grooves. The title track begins with sweeping, densely-textured synths disintegrating into a foreboding bassline, humming steadily alongside tidal waves of ominous arpeggios and plodding drums reminiscent of 90s trip-hop. In Sublingual, body-shaking club drums become a vessel for distorted vocals and granulated textures as they pass through thick membranes of saliva-drenched bass. Metamorpher follows with a hypnotic 4x4 trip that metabolizes deep anxious grooves into a rave-ready wiggler, while Angel Gossip keeps the blood flowing with a pounding peak-time techno roller guaranteed to keep the floor locked. Finally, There Are Two Rooms sends us off with a pensive meditation of wailing synths and dark, Lynchian atmosphere... the final scene of a dream half-remembered upon waking from anaesthesia. NYC's Laenz delivers the epilogue with a shaking, subterranean remix of A Simple Procedure, injecting the opening track's textures into the fissures of deep and trembling grooves. With its darkly seductive moods and high-concept execution, A Simple Procedure is a perfect addition to Delusional's genre-ambiguous catalog of queer and femme-forward sonic offerings.

Written, mixed and produced by Big Martino Mastered by Enrico BSJ Ferrari ( aka BLACK LEGEND ) @Take This Studio Cover-Art by Enrico BSJ Ferrari Executive Production by DOMOZERO Records A&R Enrico BSJ Ferrari Send your demo to: enricobsjferrari@gmail.com FACEBOOK: https://www.facebook.com/pages/Domozero-Records/352549028219967 SOUNDCLOUD: https://soundcloud.com/sample-bank RUMBLE: https://rumble.com/user/Samplebank YOUTUBE: http://www.youtube.com/user/samplebank

Equalized Recordings

Timesig

Glaswegian record label Lava Lava proudly welcomes Lobos back to the fold for his stunning debut EP. Following on from his breakout track '5am Sunrise' on WAVES Volume 1 in 2024, Scottish producer Stephen Roberton presents a soundtrack from Sunset to Sunrise backed with a thumping remix from Hammer. 5pm Sunset kicks off his debut with brooding low end textures and layered shuffling drum patterns. Retro cowbell hits bounce alongside wandering analogue synth lines resulting in a constantly evolving track, perfect for warming up the dance floor as the sun sets. Next up, R.H.P. mixes classic UKG breaks with vocal samples and crushing bass lines. Laid out over 7 and a half minutes, clean piano notes and bright arpeggios ebb and flow throughout, contrasting the otherwise dark and organic textures. Lobos follows up with a Four-Four Club Mix of R.H.P. where punchy kick drums lean into stabbing synths and chopped bass notes to give a dance-floor focussed edge. As one of the UK's most exciting DJ's and producers, Hammer hits the nail on the head with his remix of 5am Sunrise, providing a no-nonsense club burner. Huge rhythms, gritty low end analogue lines and rolling arps lead you straight into the middle of the dance floor. Bouncing synth licks playfully intertwine through key changes, echoing vocal samples and massive snare rolls to give an undeniably euphoric energy to his remix. Lobos' original version of 5am Sunrise follows with the perfect blend of energy and excitement, reminiscent of early 90's UK dance records. Looped synth lines develop and distort throughout while driving kicks and clean percussion create an irresistible groove. Ascension closes out Lobos' debut as a counterpoint to the EP's club focus with gorgeous cinematic progression. Distant vocal samples launch into long, sweeping synth lines and hypnotic oscillating sequences. A beautiful ambient soundscape with a sense of optimism acts as the perfect closer to this stunning debut.

Revival is a UK rave-inspired breakbeat track driven by analog synths, classic drum breaks, and an emotional spoken vocal about rediscovering the energy of the night. Built entirely around hardware textures, the track blends warm analog basslines, raw synth layers, and punchy breakbeat drums that capture the spirit of underground rave culture while feeling modern and cinematic. The spoken vocal reflects on a time of silence and distance, leading into the moment when the dance floor comes alive again. The recurring line 'We found the night again' becomes the emotional core a celebration of movement, connection, and the collective energy of the crowd. Designed for late-night club sets, warehouse spaces, and euphoric breakbeat moments.

MaJu. Records & I.O.T Records

Slagwerk

'Ficciones V' this time around brings the fun in two easy installments. Same same but different, one could say. Join us for further indulgence in this two-part journey. There might be more down the road - maybe?

CLR