Top 100 Chart Placements
Updated 6 hours ago
'Paradiso' EP sees Yann Polewka return to GLBDOM with a refined and emotive three-track release, blending classic house sensibilities with a modern, dancefloor-focused touch. The title track 'Paradiso' opens proceedings with a driving, syncopated beat and a bouncy, uplifting bassline, gradually unfolding into a euphoric arrangement of chords and pads. As the track progresses, gorgeous piano lines come to the fore, adding a warm and soulful edge to an already uplifting cut. Next up is 'U Can't Feel It', a deeper affair built around super-deep house pads and a stomping, club-ready beat. Luscious piano motifs are cleverly interspersed with short, catchy xylophone riffs, while beautiful vocal refrains drift throughout, giving the track a rich and immersive feel. Rounding things off is Jesse Bru's remix of 'Paradiso', offering a pleasing yet slightly heavier reinterpretation of the original. A pumping beat and bassline makes full use of skillfully layered percussion, while airy synths and delicate, melancholic lead lines pay homage both to Yann Polewka's original vision and the timeless classic house sound.
Fred Everything , Joseph Malik , Random Factor , Art Of Tones , Jaw , Atjazz , Georg Levin , BRS , The New Mastersounds
Vince Void is a Barcelona-based DJ and producer, Paris-born in the early 90s, shaped by piano, rock, and an early love for Italo that led him into electronic music. His sound moves between house and electro with emotive melodies and textured, slow-burning dancefloor energy. Hands-on with synths and vintage hardware, he's released since 2022 on labels like Cupula, Haws, Tresydos, Maai, and Dias de Campo. Daze is his latest EP: three multi-instrumental tracks blending electro, new beat, and house with live feel, analog grit, and a forward-facing 2026 sound. Vince Void doesn't polish Daze, he slaps it across the face and walks away smiling. Three house tracks that hijack new wave ghosts, fry them in electro voltage and dump them on a 2026 dancefloor at 5 a.m. The grooves sneer, the synths twitch, nothing begs for approval. This isn't nostalgia - it's the future misbehaving on purpose.