Top 100 Chart Placements
Updated 5 hours ago
Bliz Nochi
Hamburg-based artist Bliz Nochi debuts on Organic Tunes with Balame, a four-track EP that showcases his signature blend of electronic grooves and global folk-infused atmospheres. The package features the original, an instrumental version, the driving B-side Initiation, and a distinctive remix from label head The Organism, adding his own hypnotic twist to the title track.
Kalla
Sample-heavy would be an understatement for this concept project — built on colors, 808s, and hard breaks. After gaining momentum last year with standout EPs on Ear Sight Records, groove-driven releases on Berlin House Music, and collaborations across electronic and hip hop, kalla returns to the solo spotlight with a concept project merging all his influences into one unique aesthetic. Three EPs, built around his own Kallaways, form a colorful palette of samples, 808s, and hard breaks. Each release showcases kalla's multifaceted approach to sampling, bridging breakbeat, bass music, and hip hop in new ways. The result is a sound that's sub-heavy, organic, dynamic, and unmistakably his own. Tracks tell stories — some hit hard, some melancholic, some make you bounce — all with those three ingredients and a touch of magic sparkle. The Kallaways series proves you don't need much to make people move.
Dustin Phil
Dustins debut on Well Street masterfully bridges the gap between high-concept sound design and the grit of the UK underground. Presenting a uniquely leftfield and melancholic take on the 2-step blueprint, Dustin strips back the traditional swing of UKG to reveal a darker, more cinematic core. These tracks are built on a foundation of timbral research--where clinical precision meets raw, physical low-end. The result feels equally at home in the peak-time tension of a strobe-lit basement or the introspective haze of the night bus home.
Jerrau, DJ OSX
Amsterdam-based DJ, producer and curator Jerrau steps into a new chapter with his debut EP on Whos Susan, a record that distills the past one a half years of creative discovery into a lucid, hybrid sound. Known for percussive, bass-driven sets at Horst, Dekmantel, Lowlands and Garage Noord, he now channels his contagious energy into productions that blend floaty synths, glitchy textures and rough-heavy basslines. Inspired by videogame soundtracks, ambient music and his years behind the decks, these four tracks reveal a new side of the Dutch-Surinamese artist, one that is melodic, experimental and unapologetic. Featuring hardware-driven grooves, emotional synth work and a collaboration with Susan native, DJ OSX, the EP captures Jerraus evolving sound as he steps confidently into his production era.
Nelson of the East, Azemad
Bassy, percussion-driven excursions by Tartelet affiliate Nelson of the East. Super Deception dives into the uncanny beauty within the everyday, drawing inspiration from M.C. Eschers idea of super deception: the art of creating the impossible without illusion. Nelson of the East translates that concept into sound: deep, tactile basslines and intricate percussion twist familiar rhythms into hypnotic new forms. Textures and samples are lifted from their origins and reimagined, creating tracks that feel both ancient and futuristic, physical and dreamlike. The result is an electronic landscape where sound folds in on itself: a timeless, shape-shifting exploration of rhythm, resonance and perception. Nelson of the East is a Berlin-based sound artist, producer and educator. He operates at the intersection of experimental composition and club culture, shaping his craft both as a music teacher and behind the scenes as an experienced ghost producer.
Lurka
Damage004 - Toxic EP - New four tracker from Lurka on Damage. UK Jump-Up/Bass/Minimal/Techno/Dark Ambient hybrid action. Mastered by Stefan Betke @ Scape Mastering Artwork by Studio Tape-Echo Support from Ben UFO, DJ Plead, Batu, Bruce, Yousuke Yukimatsu, Bake, Katiusha ------ Tech demo - unnerved 2-stepp monsterised reese pressha Bliss portrait - Fragmented piano freakd Bossa Bass sear - (Sentient Entertainment Machine becomes aggravated) Toxic - Infrared cctv scanned desolation skulk alienated scape Lazer - Dilapidated Halfstep decaying server room lament
Rings Around Saturn, Gonno, Jennifer Loveless, Guy Contact, Kate Miller, Sniper1
Melbourne / Naarm stronghold Butter Sessionsclock 15 years in the game with a trilogy of 12s, sustaining their uncompromising streak of peak-form electronics. The family-style V/A binds friends, collaborators, former studio neighbours and DJ booth allies, capturing a label that exists as community as much as catalogue. Disc Two lifts off with recurring contributor Rory McPikes first label outing as Rings Around Saturn, a blissed-out cosmic floater skimming the periphery. Booked in the early days of the labels formative Mania residency, Japanese don Gonno twists freestyle, techno and breaks into pure ecstasy, before the unerringly bold Jennifer Loveless spikes the punch with a hallucinatory mix of drums, disembodied voice and jazz club keys. On the flip, Boorloos Guy Contact rolls out Dance In The Grey, a shadowy prog churn pitched between new-romantic vocal sheen and EBM muscle, with Kate Miller completely rewiring the script on Sub Series E - a masterfully minimal, double-time meditation. suki presents his Sniper1 alias to close with a demonic body-jacking groove loaded for the system. Whether taken alone or folded into the three-disc triptych, each instalment stands as a bag-ready constant, charged with Butter Sessions curatorial finesse.
Footsie, Adam Prescott
After roughing up dances earlier in the year on 7 vinyl, Footsie & Adam Prescott return with The Don and some tasty remixes. First up, jungle and bass specialist J-Kenzo strips it back for a heavy rolling assault - road tested for most of this year on soundsystems around the world. Next, like a concealed weapon, Danny T & Tradesman rip up the rules with headtop flying dub reworking - dragging it kicking and screaming further into the scoops. Their dub mix goes even further, mutating the track into a real heavy stepper that would sound obscene on rigs such as Iration Steppas.
Will Hofbauer, Sangre Voss
Launching the 'whirm' imprint in 2024, Will Hofbauer & Sangre Voss have dug into a unique space within the world of curious and bizarre electronic dance music, garnering support from the likes of Ben UFO, Mary Anne Hobbs, and many more. Rooted in years of quietly swapping ideas between basements, bedrooms, and long-haul trips abroad, 'whirm' has grown into a playground for the pair's shared fascination with the mildly absurd, and their determination to keep things fun while experimenting with new ways of releasing music. On this full-length offering, Will & Sangre culminate and compile the fruits of five years of collaboration, presenting ten infectious and eccentric compositions that span the full spectrum of the 'whirm' sound. With mastering from Rupert Clervaux and artwork by La Princesa Maria, the whirm LP captures the duo's singular chemistry, an organic ecosystem of squelched rhythms, lurching melodies, and oddball charm that continues to evolve as they dream up new ways for their music to grow and take shape. ~ whirm.online
Am Shhara, Methodd, abentis, baptisma, Nasty Soupman, Karnage, Dhyan, daiki hayakawa
nagoyaka na kaze / 和やかな風 (quiet wind): a collection of forward-thinking electronic experiments sourced from central Japan - co-curated by Nagoya artist abentis for Facta & K-LONEs Wisdom Teeth imprint. The project profiles a close-knit community of music makers operating in and around the Japanese city of Nagoya: one of the countrys most populous and industrial cities, but one all too often overlooked in terms of its cultural significance. Curated in close collaboration with local scene organiser Yuya Abe - aka abentis - the record seeks to capture the creative energy of a community of artists making hard-to-define, future-facing electronic music away from the clamour of the bigger cities. In Nagoya, theres a strong culture of supporting artists. Even if you pursue music in your own way, as long as its good, youre encouraged to keep doing what you want, explains abentis. Within that environment, my generation has been able to freely bring in elements we like from all kinds of genres, combine them in our own way, and express ourselves individually. If you go to Tokyo or Osaka, that kind of freedom isnt something you can take for granted. Spiritually, Nagoya fits the mould of cultural hotbeds like Bristol, Detroit or Melbourne, showing that some of the most innovative creative communities form away from the glare of the capital cities. Like Detroit, Nagoya is principally known for being a major auto manufacturing hub, famous for being the home of Toyota Motors - but behind the scenes, it is quietly harbouring one of Japans most vibrant and forward-thinking electronic music scenes. In a good way, Nagoya is a bit removed from the cutting edge, so you find people making all kinds of music, explains Karnage. If youre making music, you feel like part of the crew, and people of different ages mix together without much hierarchy. The citys music scene is characterised by a freedom to mix genres and an open-door approach to creatives of all disciplines. The artists featured come from a diverse set of backgrounds, ranging from hip-hop to noise music, but have found a common collective identity in their omnivorous approach to genre. As such, the record moves fluidly between shimmering ambient and new age (Am Shhara, DHYAN, daiki hayakawa), psychedelic minimal house (Methodd, abentis), abstract, low-slung downtempo (baptisma, Nasty Soupman) and spaceage steppas (Karnage). Id say the way ambient, new age and that kind of sound design are blending nicely with dance music feels somewhat new, says baptisma, the crews eldest member and de-facto scene leader. Responsible for bringing artists like Basic Channel, Mala and Jan Jelinek to the city, baptisma has been crucial in establishing underground electronic music in Nagoya since the 90s, and now helps cultivate the next generation of local talent. Artists and DJs are seamlessly mixing ambient and new age with techno, house and bass music. I think thats a really interesting development. nagoyaka na kaze has its roots in a one-off event held in October 2024 as part of the 10 Years of Wisdom Teeth Japan tour. Curated by abentis in collaboration with Facta & K-LONE, the showcase featured live sets from eight artists based in and around Nagoya at one of the citys key dance music hubs, Club JBs. Each of the artists features again here, on record, presenting an original commission produced especially for the project. The records art direction was led by Yudai Osawa - in-house designer for Kankyō Records, the much-loved Tokyo record shop run by H. Takahashi - and features original photos by Hayato Watanabe.
Brava, Ron Mercy, DJ Manny, TT The Artist, H4RDY, DJ co.kr, DJ Phil, Big Dope P, BFlecha, Chiara Noriko, Surly, DJ Swisha, DJ Tameil, Househead Samira, Seimei, Thys, DJ Earl, STUCKINWAVEFORMS, Dj.Mc, Heavee, Traxman, Dudley Slang, Mars Kasei, Mr. Muthafuckin' eXquire, Kill Team SCX, LEX NYRE
Adam Rose, rieke 1312, Sentient, Marta, Moodrich, Lai Raw, Kalla, Maak, Aitch, Shuv, Carl Hang, Salush, Baya, dvidevat, Jonas Xenon, UrbnMowgli, Jotel, Cyberflex, DJ Fresh, Wretla, badtongUe, Darius The Barbarian, Stefan Seay, DJ これからの緊急災害, Gallinger
Our various artists compilation series is entering the next chapter. The wait is over and we are and excited to finally announce Emotional Voyage VA 4 [EVR015] ! A multi-genre compilation album that reflects the emotional depth, and forward-thinking spirit of the underground electronic music spectrum we represent. This mega VA brings together 25 tracks, each created with love and intentional expression by artists from all over the world. From deep listening moments to full-on rave euphoria, this compilation has you covered. Its a true privilege to see so many talented artists - both longtime companions and new friends joining the voyage, each contributing their own fresh approach to dance music while staying true to its roots. A key component to the track follow order on each of our VAs is the idea of a homogenous flow. This idea leans on our childhood memories of a natural album flow so many of our heroes provided. We therefor encourage you to take your time and listen to each track in running order.
Beth Lydi
Berlin/Oslo-based electronic artist Beth Lydi returns with her latest single, Parallel in Time, the first taste of her highly anticipated upcoming album, set to release on SNOE. The track is a bold invitation to step outside the familiar, explore the unknown, and trust in the journey ahead. As a manifesto of daring and discovery, Parallel in Time blends Breakbeat inspired rhythms with energetic House grooves. The whole track is underpinned by gritty basslines and Beths enigmatic vocals, creating a soundscape thats both hypnotic and liberating. This track is about taking steps off the path thats already laid out for you, Beth says. Its about letting go, trusting the experience, and opening yourself up to new possibilities. Parallel in Time marks the start of an exciting new chapter for Beth Lydi, promising listeners an immersive journey through her distinctive blend of natural and industrial textures, deep grooves, heavy bass and emotional storytelling.
Confluence, Dawn Razor
A deep voyage into the vast and intense productions of Dawn Razor & Confluence. Authentic in every way yet paying homage to the classic sounds of techno and electro we all love. The two producers clearly have a profound understanding of the genre—their maturity and experience shine throughout the EP as they lead listeners into uncharted sonic territory. Resist is mesmerizing, captivating attention with edgy grooves, an undercurrent of psychedelia, and undeniable sex appeal. These murky, tricked-out productions are designed to transport dancers while making them lose themselves in the process. A true one-of-a-kind release, Resist highlights the dynamic tension between Dawn Razor & Confluence as they hone their signature bass-heavy sound, fusing multiple styles into something entirely their own. Pure class, pure heat. Remix duties feature two heavyweights. First, the iconic Jerome Hill delivers a classic rave-ready breakbeat weapon, re-envisioning Xanax with stunning vocal sample work. Finally, Doctor Jeep closes with a hypnotic, bass-driven head-banger—sexy, chugging, and deep into the night.
4STR0
A debut EP from 4STR0 marks a defining moment for the Polish producer, whose roots in Manchester have been quietly established through radio work and elusive DJ performances. Now stepping fully into focus as a producer, she reveals a sharp command of sound and a deep affinity for hard-hitting, bass-driven club music, threaded with electro tension and acidic pressure. Across four tracks, 4STR0 constructs a dense, otherworldly sonic environment. Precision sound design and considered production choices blur the line between physical club energy and something more extraterrestrial, transforming the dancefloor into a dark, alien landscape built for late-night revelry. Each track operates as its own mission, pushing deeper into the EP's universe while contributing to a broader narrative that feels immersive rather than explicit. The result is a release that unfolds gradually, rewarding close listening as much as it does high-volume systems. An impressive first statement on Left, Right & Centre, this EP introduces a producer who handles an electro-bass hybrid with confidence and restraint; signalling the arrival of a new voice operating firmly below the surface.
Hyas, Capo Lee, Unsho
Lyon based dubstep/uk gararge/techno wizard drops six pieces of his sub heavy heat on Nerve Collect. Featuring collaborations with grime's latest MC talent, Capo Lee from North London and rising name in the French UK garage scene blending infectious grooves with high-energy, bass-driven productions.
Poladroid
Were honoured to welcome Poladroids unique blend of electro with the Accelerate EP. Continuing in the vein of his futuristic productions on Science Cult, Poladroid continues to map a sonic cartography of the post-industrial psyche, where cyber-mysticism intersects with eschatological narratives. This EP contains four tracks that represent an acceleration in the radicalism of the subject, as well as in the sound production which has evolved considerably in just a few years. An entropic acceleration that eventually leads to harmony, emerging from chaos.