Basil O'Glue pulls double duty as the label boss who refuses to delegate, delivering a double-sider that breaks both physics and memory. "Reversible Descent" drags you down a hypnotic, raw rabbit hole that you can easily escape—though you won't want to. On the flip, "We Decide What to Forget" injects a dose of old-school energy so pure it completely wipes out twenty years of modern musical trauma. BAGRUHM accepts no liability if you end up perfectly mimicking the synth lines with your mouth while forgetting where you parked your car.

Basil O'Glue pulls double duty as the label boss who refuses to delegate, delivering a double-sider that breaks both physics and memory. "Reversible Descent" drags you down a hypnotic, raw rabbit hole that you can easily escape—though you won't want to. On the flip, "We Decide What to Forget" injects a dose of old-school energy so pure it completely wipes out twenty years of modern musical trauma. BAGRUHM accepts no liability if you end up perfectly mimicking the synth lines with your mouth while forgetting where you parked your car.

BAGRUHM Trance (Raw / Deep / Hypnotic)

BAGRUHM Trance (Raw / Deep / Hypnotic)

Vandit Alternative Trance (Raw / Deep / Hypnotic)

Calantha, the powerhouse collaboration between Basil O'Glue and Nomas, continues their joint exploration with "Morphing Realities", a landmark release marking the 550th catalog entry on JOOF Recordings. True to the duo's reputation for technical precision and atmospheric depth, the track is a dark, pounding, and serious piece of electronic art. It serves as a driving and ethereal masterclass in deep, hypnotic Trance, seamlessly evolving the soundscapes they have previously explored. This release represents a logical progression for Basil O'Glue and Nomas, solidifying Calantha as a premier outlet for high-caliber, cerebral Trance that stays true to the genre's underground roots.

Forescape Digital

Globally respected British electronic music pioneer John 00 Fleming returns with his first full-length artist album in eight years, announcing The Lost Tribe, an 18-track body of work set for release in early April via his own imprint, JOOF Recordings. The album arrives at a defining moment in Fleming's career, coinciding with an extraordinary 40 years behind the decks; a dual milestone that underscores both creative longevity and forward momentum. Rather than looking back, The Lost Tribe firmly faces forward. It is an unapologetic, long-form dance album that challenges modern electronic music conventions, rejecting short-format, algorithm-driven production in favour of immersive compositions designed to unfold patiently and purposefully. Every track on the album is an original John 00 Fleming production, with extended runtimes that allow space for atmosphere, narrative and emotional development; hallmarks that have defined his sound and DJ philosophy for decades. Speaking about the upcoming album, John commented: "Six years in the making, this album captures key moments and milestones from across my career, drawing inspiration from the highs, lows, and personal ambitions shaped by a constantly evolving music industry." The album title, The Lost Tribe, carries layered meaning. It reflects a growing community of artists and clubbers who feel increasingly alienated by the current festival and streaming landscape – where attention spans are short, tracks are built for instant impact, and musical journeys are often sacrificed for viral moments. Fleming positions the album as both a response and a rallying call: a reminder that electronic music was born from rule-breaking, long nights and shared transcendence on the dance floor. This philosophy mirrors his enduring approach as a DJ. Known worldwide for his extended sets (often spanning eight hours or more) Fleming has long treated the dance floor as a space for storytelling rather than spectacle. In recent years, he has continued to challenge festival norms with multi-hour headline performances, offering audiences depth and progression in an era increasingly dominated by rapid-fire drops and uniform playlists. The Lost Tribe also marks a deeply personal chapter. The album was shaped during a period of significant reflection and transformation, including Fleming's experience overcoming cancer – a journey that profoundly altered his outlook on creativity, ambition and purpose. That shift is felt throughout the record, which carries a renewed emotional weight and sense of clarity, blending power and vulnerability with the confidence of an artist fully in command of his craft. Musically, the album draws on Fleming's cinematic instincts and background in composition, incorporating expansive intros, evolving structures and richly detailed sound design. The tracks are designed not simply to be played, but to be experienced – whether on a dance floor, in headphones, or as part of a continuous listening journey. John 00 Fleming's influence on electronic music is both foundational and ongoing. Beginning his career at just 15 years old during the rise of the UK rave movement, he has remained a consistent and trusted figure across decades of cultural and technological change. His career has taken him from the UK's formative club circuit to some of the world's most revered stages, including BOOM Festival, Tomorrowland, EDC, Ozora, Creamfields and countless underground institutions worldwide. As a producer, he has released multiple acclaimed artist albums, achieved Gold disc status and earned millions of streams, while maintaining respect from peers ranging from underground innovators to global icons such as Jean-Michel Jarre and Muse. Beyond the club world, his work has extended into film and television composition, including collaborations with The Royal Philharmonic Orchestra at Abbey Road Studios. Through his imprint JOOF Recordings, Fleming has also cultivated a globally respected label and community, championing forward-thinking electronic music with integrity and independence at its core.

Globally respected British electronic music pioneer John 00 Fleming returns with his first full-length artist album in eight years, announcing The Lost Tribe, an 18-track body of work set for release in early April via his own imprint, JOOF Recordings. The album arrives at a defining moment in Fleming's career, coinciding with an extraordinary 40 years behind the decks; a dual milestone that underscores both creative longevity and forward momentum. Rather than looking back, The Lost Tribe firmly faces forward. It is an unapologetic, long-form dance album that challenges modern electronic music conventions, rejecting short-format, algorithm-driven production in favour of immersive compositions designed to unfold patiently and purposefully. Every track on the album is an original John 00 Fleming production, with extended runtimes that allow space for atmosphere, narrative and emotional development; hallmarks that have defined his sound and DJ philosophy for decades. Speaking about the upcoming album, John commented: "Six years in the making, this album captures key moments and milestones from across my career, drawing inspiration from the highs, lows, and personal ambitions shaped by a constantly evolving music industry." The album title, The Lost Tribe, carries layered meaning. It reflects a growing community of artists and clubbers who feel increasingly alienated by the current festival and streaming landscape – where attention spans are short, tracks are built for instant impact, and musical journeys are often sacrificed for viral moments. Fleming positions the album as both a response and a rallying call: a reminder that electronic music was born from rule-breaking, long nights and shared transcendence on the dance floor. This philosophy mirrors his enduring approach as a DJ. Known worldwide for his extended sets (often spanning eight hours or more) Fleming has long treated the dance floor as a space for storytelling rather than spectacle. In recent years, he has continued to challenge festival norms with multi-hour headline performances, offering audiences depth and progression in an era increasingly dominated by rapid-fire drops and uniform playlists. The Lost Tribe also marks a deeply personal chapter. The album was shaped during a period of significant reflection and transformation, including Fleming's experience overcoming cancer – a journey that profoundly altered his outlook on creativity, ambition and purpose. That shift is felt throughout the record, which carries a renewed emotional weight and sense of clarity, blending power and vulnerability with the confidence of an artist fully in command of his craft. Musically, the album draws on Fleming's cinematic instincts and background in composition, incorporating expansive intros, evolving structures and richly detailed sound design. The tracks are designed not simply to be played, but to be experienced – whether on a dance floor, in headphones, or as part of a continuous listening journey. John 00 Fleming's influence on electronic music is both foundational and ongoing. Beginning his career at just 15 years old during the rise of the UK rave movement, he has remained a consistent and trusted figure across decades of cultural and technological change. His career has taken him from the UK's formative club circuit to some of the world's most revered stages, including BOOM Festival, Tomorrowland, EDC, Ozora, Creamfields and countless underground institutions worldwide. As a producer, he has released multiple acclaimed artist albums, achieved Gold disc status and earned millions of streams, while maintaining respect from peers ranging from underground innovators to global icons such as Jean-Michel Jarre and Muse. Beyond the club world, his work has extended into film and television composition, including collaborations with The Royal Philharmonic Orchestra at Abbey Road Studios. Through his imprint JOOF Recordings, Fleming has also cultivated a globally respected label and community, championing forward-thinking electronic music with integrity and independence at its core.

BAGRUHM

The reinforcements have finally arrived, in the form of remixes by F-Act and Pablo Gargano. Because even superheroes need backup sometimes, and being Basil is not an easy job. Capes get heavy, deadlines get closer, and track titles keep getting longer. Our graphic designer, sadly, was unable to answer the call. He is still locked in an epic struggle with the dark forces of his software of choice, bravely holding the line against crashing timelines, corrupted files, and the ever-rising prices of RAM sticks. Victory is uncertain, but the music survives — louder, sharper, and now reinforced.

JOOF Recordings Trance (Raw / Deep / Hypnotic)

Basil O'Glue pulls double duty as the label boss who refuses to delegate, delivering a double-sider that breaks both physics and memory. "Reversible Descent" drags you down a hypnotic, raw rabbit hole that you can easily escape—though you won't want to. On the flip, "We Decide What to Forget" injects a dose of old-school energy so pure it completely wipes out twenty years of modern musical trauma. BAGRUHM accepts no liability if you end up perfectly mimicking the synth lines with your mouth while forgetting where you parked your car.

JOOF Recordings