Top 100 Chart placements for A Made Up Sound
Updated 15 hours ago
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Wonderful Dave Huismans (A Made Up Sound) prod. deepest leftfield house / ambient collages, grooves & excursions. First of the initial two volumes in a small new 12 series - each ltd to 300 vinyl copies cut @ D&M, with stamped colored sleeves & labels designed by Bernie van Vlijmen. Part earthy, part swampy, 001s A-side Wetlands is an epic triptych; a shifting 120bpm groove with drips of percussion being the only somewhat constant factor throughout its 10 minutes of continuous movement and exploration, coming full circle near the very end. The B-side dials the pace further down, first on the introverted yet heartfelt Chapel (B1) with its intricate patchwork of sampled pads and warped, eroded loops over a driving 4/4 downbeat, then in the barely-there structure of deepest house remnants + ambient haze in Below Surface (B2), drifting even further off the grid. The visual concept for the ex_libris series comes courtesy of Bernie van Vlijmen, who translated the round and fluid character of the music into a palette of muted natural colors and stamped shapes emerging through a designed process balancing chance and intent, inspired by natures unpredictable rhythms and hydrostatics in particular: guided by its own quiet logic, no two outcomes alike, like waves crashing. Organic and alive, as if they surfaced on their own.
Wonderful Dave Huismans (A Made Up Sound) prod. deepest leftfield house / ambient collages, grooves & excursions. First of the initial two volumes in a small new 12 series - each ltd to 300 vinyl copies cut @ D&M, with stamped colored sleeves & labels designed by Bernie van Vlijmen. Part earthy, part swampy, 001s A-side Wetlands is an epic triptych; a shifting 120bpm groove with drips of percussion being the only somewhat constant factor throughout its 10 minutes of continuous movement and exploration, coming full circle near the very end. The B-side dials the pace further down, first on the introverted yet heartfelt Chapel (B1) with its intricate patchwork of sampled pads and warped, eroded loops over a driving 4/4 downbeat, then in the barely-there structure of deepest house remnants + ambient haze in Below Surface (B2), drifting even further off the grid. The visual concept for the ex_libris series comes courtesy of Bernie van Vlijmen, who translated the round and fluid character of the music into a palette of muted natural colors and stamped shapes emerging through a designed process balancing chance and intent, inspired by natures unpredictable rhythms and hydrostatics in particular: guided by its own quiet logic, no two outcomes alike, like waves crashing. Organic and alive, as if they surfaced on their own.