For no. 51, Kater Blau resident Franca links up with Iorie, friend of the label and first-hour contributor on 001. Franca built her name on groove-driven sets that read a room and stay ahead of it; Iorie has been singing, playing, and producing since his teens, folding travel and words into tracks that span genres and tempos. \n\n'Hypnotherapy' is where those two instincts meet-a hypnotic, groove-forward two-tracker that oscillates between driving tool and intricate song, with reinterpretations by Mathias Kaden and Dilby. Coaxing otherworldly sounds and textures into an accessible and relentlessly groovy framework is the name of the game on the title track. Franca and Iorie reassemble a mangled flurry of bit-crushed, chopped-up synth-work into infectious basslines, metallically cycling themes, and rolling percussion. On 'Hypnotherapy,' every seam of the track's sound design stays audible, weaving an eclectic sonic tapestry that stays powerfully kinetic throughout-staccato, groovy, and otherworldly.\n\nMathias Kaden's Hypnoise Remix takes 'Hypnotherapy' apart at the rhythm. Fracturing the original's percussion with bright and breaky drum structures and booming, playful low end, Kaden channels the same hypnotism down a different avenue-a hovering cloud of intermingling pads, synth figures, and spaced-out vocals set to a warehouse-ready break with an irresistible bounce.\n\nWhere Kaden opens up the original, Dilby's rendition of 'Hypnotherapy' compresses and electrifies it. Rolling drums, a techy substructure and dubby, spaced-out chords balance drum-centric pressure with depth, while warm stabs and fluttering synth figures transform the original's palette into fields of pulsing melodic energy that trace the perimeter of its shuddering groove. Dilby delivers both a short and sweet and an extended version.\n\n'Objects in Space' opens up unapologetic largeness in structure and sound design. A cavernous kick and bold percussion cast a widescreen frame around delicate synth work: soft arps, fluttering inserts, and morphing chromatic hues drift in the background while a playfully anthemic bass hook does the heavy lifting.\n\nHypnosis works by suggestion and repetition, and so does 'Hypnotherapy'-Franca and Iorie chop, crush, and reassemble their components in plain view, building vivid, otherworldly, powerfully hallucinogenic soundscapes anchored in a kinetic framework.

For no. 51, Kater Blau resident Franca links up with Iorie, friend of the label and first-hour contributor on 001. Franca built her name on groove-driven sets that read a room and stay ahead of it; Iorie has been singing, playing, and producing since his teens, folding travel and words into tracks that span genres and tempos. \n\n'Hypnotherapy' is where those two instincts meet-a hypnotic, groove-forward two-tracker that oscillates between driving tool and intricate song, with reinterpretations by Mathias Kaden and Dilby. Coaxing otherworldly sounds and textures into an accessible and relentlessly groovy framework is the name of the game on the title track. Franca and Iorie reassemble a mangled flurry of bit-crushed, chopped-up synth-work into infectious basslines, metallically cycling themes, and rolling percussion. On 'Hypnotherapy,' every seam of the track's sound design stays audible, weaving an eclectic sonic tapestry that stays powerfully kinetic throughout-staccato, groovy, and otherworldly.\n\nMathias Kaden's Hypnoise Remix takes 'Hypnotherapy' apart at the rhythm. Fracturing the original's percussion with bright and breaky drum structures and booming, playful low end, Kaden channels the same hypnotism down a different avenue-a hovering cloud of intermingling pads, synth figures, and spaced-out vocals set to a warehouse-ready break with an irresistible bounce.\n\nWhere Kaden opens up the original, Dilby's rendition of 'Hypnotherapy' compresses and electrifies it. Rolling drums, a techy substructure and dubby, spaced-out chords balance drum-centric pressure with depth, while warm stabs and fluttering synth figures transform the original's palette into fields of pulsing melodic energy that trace the perimeter of its shuddering groove. Dilby delivers both a short and sweet and an extended version.\n\n'Objects in Space' opens up unapologetic largeness in structure and sound design. A cavernous kick and bold percussion cast a widescreen frame around delicate synth work: soft arps, fluttering inserts, and morphing chromatic hues drift in the background while a playfully anthemic bass hook does the heavy lifting.\n\nHypnosis works by suggestion and repetition, and so does 'Hypnotherapy'-Franca and Iorie chop, crush, and reassemble their components in plain view, building vivid, otherworldly, powerfully hallucinogenic soundscapes anchored in a kinetic framework.

For no. 51, Kater Blau resident Franca links up with Iorie, friend of the label and first-hour contributor on 001. Franca built her name on groove-driven sets that read a room and stay ahead of it; Iorie has been singing, playing, and producing since his teens, folding travel and words into tracks that span genres and tempos. \n\n'Hypnotherapy' is where those two instincts meet-a hypnotic, groove-forward two-tracker that oscillates between driving tool and intricate song, with reinterpretations by Mathias Kaden and Dilby. Coaxing otherworldly sounds and textures into an accessible and relentlessly groovy framework is the name of the game on the title track. Franca and Iorie reassemble a mangled flurry of bit-crushed, chopped-up synth-work into infectious basslines, metallically cycling themes, and rolling percussion. On 'Hypnotherapy,' every seam of the track's sound design stays audible, weaving an eclectic sonic tapestry that stays powerfully kinetic throughout-staccato, groovy, and otherworldly.\n\nMathias Kaden's Hypnoise Remix takes 'Hypnotherapy' apart at the rhythm. Fracturing the original's percussion with bright and breaky drum structures and booming, playful low end, Kaden channels the same hypnotism down a different avenue-a hovering cloud of intermingling pads, synth figures, and spaced-out vocals set to a warehouse-ready break with an irresistible bounce.\n\nWhere Kaden opens up the original, Dilby's rendition of 'Hypnotherapy' compresses and electrifies it. Rolling drums, a techy substructure and dubby, spaced-out chords balance drum-centric pressure with depth, while warm stabs and fluttering synth figures transform the original's palette into fields of pulsing melodic energy that trace the perimeter of its shuddering groove. Dilby delivers both a short and sweet and an extended version.\n\n'Objects in Space' opens up unapologetic largeness in structure and sound design. A cavernous kick and bold percussion cast a widescreen frame around delicate synth work: soft arps, fluttering inserts, and morphing chromatic hues drift in the background while a playfully anthemic bass hook does the heavy lifting.\n\nHypnosis works by suggestion and repetition, and so does 'Hypnotherapy'-Franca and Iorie chop, crush, and reassemble their components in plain view, building vivid, otherworldly, powerfully hallucinogenic soundscapes anchored in a kinetic framework.

For no. 51, Kater Blau resident Franca links up with Iorie, friend of the label and first-hour contributor on 001. Franca built her name on groove-driven sets that read a room and stay ahead of it; Iorie has been singing, playing, and producing since his teens, folding travel and words into tracks that span genres and tempos. \n\n'Hypnotherapy' is where those two instincts meet-a hypnotic, groove-forward two-tracker that oscillates between driving tool and intricate song, with reinterpretations by Mathias Kaden and Dilby. Coaxing otherworldly sounds and textures into an accessible and relentlessly groovy framework is the name of the game on the title track. Franca and Iorie reassemble a mangled flurry of bit-crushed, chopped-up synth-work into infectious basslines, metallically cycling themes, and rolling percussion. On 'Hypnotherapy,' every seam of the track's sound design stays audible, weaving an eclectic sonic tapestry that stays powerfully kinetic throughout-staccato, groovy, and otherworldly.\n\nMathias Kaden's Hypnoise Remix takes 'Hypnotherapy' apart at the rhythm. Fracturing the original's percussion with bright and breaky drum structures and booming, playful low end, Kaden channels the same hypnotism down a different avenue-a hovering cloud of intermingling pads, synth figures, and spaced-out vocals set to a warehouse-ready break with an irresistible bounce.\n\nWhere Kaden opens up the original, Dilby's rendition of 'Hypnotherapy' compresses and electrifies it. Rolling drums, a techy substructure and dubby, spaced-out chords balance drum-centric pressure with depth, while warm stabs and fluttering synth figures transform the original's palette into fields of pulsing melodic energy that trace the perimeter of its shuddering groove. Dilby delivers both a short and sweet and an extended version.\n\n'Objects in Space' opens up unapologetic largeness in structure and sound design. A cavernous kick and bold percussion cast a widescreen frame around delicate synth work: soft arps, fluttering inserts, and morphing chromatic hues drift in the background while a playfully anthemic bass hook does the heavy lifting.\n\nHypnosis works by suggestion and repetition, and so does 'Hypnotherapy'-Franca and Iorie chop, crush, and reassemble their components in plain view, building vivid, otherworldly, powerfully hallucinogenic soundscapes anchored in a kinetic framework.

For no. 51, Kater Blau resident Franca links up with Iorie, friend of the label and first-hour contributor on 001. Franca built her name on groove-driven sets that read a room and stay ahead of it; Iorie has been singing, playing, and producing since his teens, folding travel and words into tracks that span genres and tempos. \n\n'Hypnotherapy' is where those two instincts meet-a hypnotic, groove-forward two-tracker that oscillates between driving tool and intricate song, with reinterpretations by Mathias Kaden and Dilby. Coaxing otherworldly sounds and textures into an accessible and relentlessly groovy framework is the name of the game on the title track. Franca and Iorie reassemble a mangled flurry of bit-crushed, chopped-up synth-work into infectious basslines, metallically cycling themes, and rolling percussion. On 'Hypnotherapy,' every seam of the track's sound design stays audible, weaving an eclectic sonic tapestry that stays powerfully kinetic throughout-staccato, groovy, and otherworldly.\n\nMathias Kaden's Hypnoise Remix takes 'Hypnotherapy' apart at the rhythm. Fracturing the original's percussion with bright and breaky drum structures and booming, playful low end, Kaden channels the same hypnotism down a different avenue-a hovering cloud of intermingling pads, synth figures, and spaced-out vocals set to a warehouse-ready break with an irresistible bounce.\n\nWhere Kaden opens up the original, Dilby's rendition of 'Hypnotherapy' compresses and electrifies it. Rolling drums, a techy substructure and dubby, spaced-out chords balance drum-centric pressure with depth, while warm stabs and fluttering synth figures transform the original's palette into fields of pulsing melodic energy that trace the perimeter of its shuddering groove. Dilby delivers both a short and sweet and an extended version.\n\n'Objects in Space' opens up unapologetic largeness in structure and sound design. A cavernous kick and bold percussion cast a widescreen frame around delicate synth work: soft arps, fluttering inserts, and morphing chromatic hues drift in the background while a playfully anthemic bass hook does the heavy lifting.\n\nHypnosis works by suggestion and repetition, and so does 'Hypnotherapy'-Franca and Iorie chop, crush, and reassemble their components in plain view, building vivid, otherworldly, powerfully hallucinogenic soundscapes anchored in a kinetic framework.

Amsterdam-based DJ and producer Yoram delivers 'Rare Creatures'-a two-track EP that channels his warm, soulful signature into deeper, more primal territory. Following the lush, string-laden three-tracker Purpose for Kiosk ID 50, Rare Creatures trades introspection for airy grooves and kinetic chord work. Fifty chapters in, Yoram delivers the Kiosk ID special-distinct dancefloor energies, bright, electric, and deeply hypnotic. The title track opens with a coiled bassline-springy and resonant-morphing across effervescent pads and airy drum structures. Brightly blazing chords and taut bassline escalations surge above a stripped, tribal undertow, conjuring a weightless brand of Deep House with a wild, life-affirming streak. Robot-voiced incantations lure the body's deepest, most animalistic instincts to the surface, turning the kinetic energy on 'Rare Creatures' into something hypnotic, free, untamed, and full of life. 'Flash to Mind' shifts gears, up-tempo and warehouse-ready. Built around bright, morphing chord stabs and dense, high-energy drum structures, Flash to Mind summons the track's namesake visions: arcing rays and bright bursts of luminous chords strobe flashes of color across a relentless, House-forward medley of cycling grooves and blips. Pulsing, colorful, and captivatingly groovy, Flash to Mind carries pure dancefloor momentum. With 'Rare Creatures,' Yoram distills his warmth and soul into something leaner and more elemental. Where purpose searched for meaning in nostalgia, Rare Creatures finds it in motion-two tracks that trace an arc from deep, tribal hypnosis to bright, kinetic euphoria. It's a reminder that the dancefloor, at its best, is where our purest instincts come out to play.

For no. 51, Kater Blau resident Franca links up with Iorie, friend of the label and first-hour contributor on 001. Franca built her name on groove-driven sets that read a room and stay ahead of it; Iorie has been singing, playing, and producing since his teens, folding travel and words into tracks that span genres and tempos. \n\n'Hypnotherapy' is where those two instincts meet-a hypnotic, groove-forward two-tracker that oscillates between driving tool and intricate song, with reinterpretations by Mathias Kaden and Dilby. Coaxing otherworldly sounds and textures into an accessible and relentlessly groovy framework is the name of the game on the title track. Franca and Iorie reassemble a mangled flurry of bit-crushed, chopped-up synth-work into infectious basslines, metallically cycling themes, and rolling percussion. On 'Hypnotherapy,' every seam of the track's sound design stays audible, weaving an eclectic sonic tapestry that stays powerfully kinetic throughout-staccato, groovy, and otherworldly.\n\nMathias Kaden's Hypnoise Remix takes 'Hypnotherapy' apart at the rhythm. Fracturing the original's percussion with bright and breaky drum structures and booming, playful low end, Kaden channels the same hypnotism down a different avenue-a hovering cloud of intermingling pads, synth figures, and spaced-out vocals set to a warehouse-ready break with an irresistible bounce.\n\nWhere Kaden opens up the original, Dilby's rendition of 'Hypnotherapy' compresses and electrifies it. Rolling drums, a techy substructure and dubby, spaced-out chords balance drum-centric pressure with depth, while warm stabs and fluttering synth figures transform the original's palette into fields of pulsing melodic energy that trace the perimeter of its shuddering groove. Dilby delivers both a short and sweet and an extended version.\n\n'Objects in Space' opens up unapologetic largeness in structure and sound design. A cavernous kick and bold percussion cast a widescreen frame around delicate synth work: soft arps, fluttering inserts, and morphing chromatic hues drift in the background while a playfully anthemic bass hook does the heavy lifting.\n\nHypnosis works by suggestion and repetition, and so does 'Hypnotherapy'-Franca and Iorie chop, crush, and reassemble their components in plain view, building vivid, otherworldly, powerfully hallucinogenic soundscapes anchored in a kinetic framework.

Kiosk ID Deep House

Kiosk ID Breaks / Breakbeat / UK Bass

Kiosk ID Indie Dance