Top 100 Chart placements for ISOTOOP
Updated 1 year ago
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Voal Vand and Shoal reveal five more cuts on their home label ISOTOOP, taken from the pairs time living together in Utrecht. Whereas the debut EP, Saffron, dropped the listener into psychedelic aesthetics and atypical rhythmic structures, the sequel Jinx has a more crystal-cut vision of club music, made for no less exploratory dancefloors. Possessing a natural progression almost as fluid as a contiguous live set, with imagination each track can form the basis of the next through the fingerprints of a barely-perceptible ghost leaving a piecemeal narrative impression, an exposure in negative that develops over repeated exposure to the five versatile tracks. Relative to Saffrons sidestepping repertoire, this latest EP goes for the jugular with insistent club dynamics from the get-go. Summoning steps on air, a self-contained package of breezy dancefloor initiation and escalation, all-in-one, and from the foothold of this thermal vortex Crosswind ups the drama with storm-hued dynamics and blustery club debris. The knife of aesthetics is freshly sharpened for the flip: Jinx takes the record out of earthbound atmospheres and deep into sci-fi territory. A jigsawwing bassline seems to drill ever-deeperinto an expanding landscape, as it does so uncovering small sonic treasures locked in the bedrock. A mirror to this scene, The Chain digresses with bubbling verve and psychedelic strut, a combo-finishing left hook that simultaneously holds playfulness alongside dour dramatics, a duality shared by vinyl-exclusive closing track Ouah, which blows out the lights with a smirk, and premium hallucinatory dub psychosis.