DJ Lora follows up her debut 'This Is Chicago' on Big Love Trax with 'We Gotta Get It Right' this time on parent label Big Love. This has the same disco-fueled energy as its predecessor but with a more soulful edge and a cool male spoken vocal extolling the virtues of house music and the way it unites people on the dancefloor.

The Italian duo Mattei & Omich make their return to Big Love with 'Respect' featuring spoken vocals from Elisabeth Yorke-Bolognini. A hypnotic bassline takes the lead whilst the vocals give acknowledgement to roots of house and where it all began in Chicago. Re-Tide offer a remix that takes things into Nu Disco territory with a low-slung beat and extra synth touches.

The Italian duo Mattei & Omich make their return to Big Love with 'Respect' featuring spoken vocals from Elisabeth Yorke-Bolognini. A hypnotic bassline takes the lead whilst the vocals give acknowledgement to roots of house and where it all began in Chicago. Re-Tide offer a remix that takes things into Nu Disco territory with a low-slung beat and extra synth touches.

DJ Lora follows up her debut 'This Is Chicago' on Big Love Trax with 'We Gotta Get It Right' this time on parent label Big Love. This has the same disco-fueled energy as its predecessor but with a more soulful edge and a cool male spoken vocal extolling the virtues of house music and the way it unites people on the dancefloor.

Big Love label boss Seamus Haji drops this one ahead of Summer 2026. It features UK soul singer Hazel Fernandes on lead vocals for some full-on feel-good disco house. It's a faithful and respectful cover of the original 'Dance With You' with Haji's trademark sound and arrangement aimed at the dancefloor for those hand-raising moments.

Big Love Music Nu Disco / Disco

The Italian duo Mattei & Omich make their return to Big Love with 'Respect' featuring spoken vocals from Elisabeth Yorke-Bolognini. A hypnotic bassline takes the lead whilst the vocals give acknowledgement to roots of house and where it all began in Chicago. Re-Tide offer a remix that takes things into Nu Disco territory with a low-slung beat and extra synth touches.

One of Brazil's finest house exports, DJ Meme is back on Big Love with the rather classy 'Philly Steak EP'. See You When I'm Ready' sounds like it's ready for Ibiza dancefloors with sultry disco strings, smooth brass licks and yearning vocals whilst 'Disco Frenzy' takes the energy factor up a notch for those peak disco moments with chugging guitars, walking bassline and sweeping strings.

One of Brazil's finest house exports, DJ Meme is back on Big Love with the rather classy 'Philly Steak EP'. See You When I'm Ready' sounds like it's ready for Ibiza dancefloors with sultry disco strings, smooth brass licks and yearning vocals whilst 'Disco Frenzy' takes the energy factor up a notch for those peak disco moments with chugging guitars, walking bassline and sweeping strings.

Big Love Music Nu Disco / Disco

The 21-year-old wonderkid Osner, is back on Big Love with this rather soulful & sensual disco-inspired house cut. It has a refreshing feel, perfect for springtime. The music is reminiscent of the Philly Soul sound with soaring strings topped by a beautiful male falsetto vocal evoking pure emotion.

The 21-year-old wonderkid Osner, is back on Big Love with this rather soulful & sensual disco-inspired house cut. It has a refreshing feel, perfect for springtime. The music is reminiscent of the Philly Soul sound with soaring strings topped by a beautiful male falsetto vocal evoking pure emotion.

Big Love Music DJ Tools / Acapellas

Stockholm's fast-rising duo have been making a name for themselves with a slew of EPs all with a disco spirit and fresh, new angle. Their latest EP' sees them debut on Big Love and commences with 'Spoon Bait', a dubbed-out trippy affair with a contagious male vocal hook. 'Tuborg Translate' is dominated by a mesmeric philly-style groove and chopped up dubby vocal & string snippets. The title cut 'Silja Line Superstar' takes the tempo up and evokes memories of the 70's disco era a la DJ Snaek with driving beats and lastly, the curiously titled 'Kenneth Knaster' drops the bpms in favour of a sweeping string section and skippy drums awash in vocal effects.