#12 Feat. Banner in Techno (Peak Time / Driving)

Closing the chapter, ICONYC Red mainstay Jil Tanner returns with Best Days Are Nights, a final, feverish statement that encapsulates the imprints nocturnal edge. A signature Tanner cut through and through, the track burns with intensity and atmosphere, its cinematic drive elevated by a sultry remix from Serbian powerhouse and ICONYC regular Space Motion. Shrouded in darkness, Best Days Are Nights unfolds atop a cavernous low-end rumble, its bassline tunneling forward as cascades of synths spiral into the abyss. With the piece now firing on all cylinders, Jil deploys a myriad of depth charges that explode against the hull as we reach for a second break, where shimmering synthetics and mechanical voices amp the tension beyond scales before resuming its all-consuming path. A quintessential ICONYC Red moment: raw, unrestrained, and impossible to resist. On the B-side, Space Motion takes the reins with a full-throttle rework built for the worlds main stages. Recasting Tanners brooding original into a techno-melodic storm, the Serbian artist amplifies its pulse into a hypnotic peak-time weapon. Propelled by a high-octane frame, we are thrust into equal parts of danger and lust as a barrage of restless synths drives us to a dazzling halt where lush vocals interlock, elevating us before overriding our senses for one final round. Part seduction, part surrender, and a perfect curtain call for the ICONYC Red storyline.

Jil Tanner

#73 Top Releases in Techno (Peak Time / Driving)

Closing the chapter, ICONYC Red mainstay Jil Tanner returns with Best Days Are Nights, a final, feverish statement that encapsulates the imprints nocturnal edge. A signature Tanner cut through and through, the track burns with intensity and atmosphere, its cinematic drive elevated by a sultry remix from Serbian powerhouse and ICONYC regular Space Motion. Shrouded in darkness, Best Days Are Nights unfolds atop a cavernous low-end rumble, its bassline tunneling forward as cascades of synths spiral into the abyss. With the piece now firing on all cylinders, Jil deploys a myriad of depth charges that explode against the hull as we reach for a second break, where shimmering synthetics and mechanical voices amp the tension beyond scales before resuming its all-consuming path. A quintessential ICONYC Red moment: raw, unrestrained, and impossible to resist. On the B-side, Space Motion takes the reins with a full-throttle rework built for the worlds main stages. Recasting Tanners brooding original into a techno-melodic storm, the Serbian artist amplifies its pulse into a hypnotic peak-time weapon. Propelled by a high-octane frame, we are thrust into equal parts of danger and lust as a barrage of restless synths drives us to a dazzling halt where lush vocals interlock, elevating us before overriding our senses for one final round. Part seduction, part surrender, and a perfect curtain call for the ICONYC Red storyline.

Jil Tanner