YES TO ALL PRESENTS "WE USED TO DANCE" D-Formation & Alex Medina return with a two-track EP celebrating the timeless connection between music, emotion and the dancefloor YES TO ALL, the collaborative project of D-Formation and Alex Medina, return with We Used to Dance, a two-track EP that further defines the sonic identity of the project while embracing the timeless spirit of club culture. Featuring the originals "We Used to Dance" and "Julio Soleado," the EP explores two sides of the same idea: electronic music made for the dancefloor, but driven by emotion, atmosphere and a deeper connection with the moment. Since the release of their debut Preludio, YES TO ALL have been shaping a distinctive musical language built around hypnotic grooves, powerful basslines, analogue textures and melodic elements. Their productions move freely between house, indie dance and melodic electronic music, always placing groove and emotion at the heart of the experience. With We Used to Dance, D-Formation and Alex Medina take that philosophy into a more direct and evocative territory. WE USED TO DANCE The title track is a statement of intent. We Used to Dance is about the nights we remember, the records that made us move and that almost physical connection between music and a crowded dancefloor. Driven by a hypnotic groove, tension and a strong melodic presence, the track combines contemporary production with the raw spirit of club culture. Rather than looking back through nostalgia, it reconnects with the feeling itself — the reason we stepped onto the dancefloor in the first place. It is not about how we used to dance. It is about why we danced. JULIO SOLEADO Julio Soleado takes the EP into a brighter and more expansive space. Warm, melodic and evocative, the track introduces a sense of summer, freedom and open space while keeping the groove firmly at its core. Here, melody and texture become central elements, creating an emotional atmosphere that balances perfectly with the more driving energy of the title track. Together, the two tracks form a concise statement of what YES TO ALL stands for: groove, emotion and freedom — music made for the dancefloor and for everything that happens beyond it

YES TO ALL PRESENTS "WE USED TO DANCE" D-Formation & Alex Medina return with a two-track EP celebrating the timeless connection between music, emotion and the dancefloor YES TO ALL, the collaborative project of D-Formation and Alex Medina, return with We Used to Dance, a two-track EP that further defines the sonic identity of the project while embracing the timeless spirit of club culture. Featuring the originals "We Used to Dance" and "Julio Soleado," the EP explores two sides of the same idea: electronic music made for the dancefloor, but driven by emotion, atmosphere and a deeper connection with the moment. Since the release of their debut Preludio, YES TO ALL have been shaping a distinctive musical language built around hypnotic grooves, powerful basslines, analogue textures and melodic elements. Their productions move freely between house, indie dance and melodic electronic music, always placing groove and emotion at the heart of the experience. With We Used to Dance, D-Formation and Alex Medina take that philosophy into a more direct and evocative territory. WE USED TO DANCE The title track is a statement of intent. We Used to Dance is about the nights we remember, the records that made us move and that almost physical connection between music and a crowded dancefloor. Driven by a hypnotic groove, tension and a strong melodic presence, the track combines contemporary production with the raw spirit of club culture. Rather than looking back through nostalgia, it reconnects with the feeling itself — the reason we stepped onto the dancefloor in the first place. It is not about how we used to dance. It is about why we danced. JULIO SOLEADO Julio Soleado takes the EP into a brighter and more expansive space. Warm, melodic and evocative, the track introduces a sense of summer, freedom and open space while keeping the groove firmly at its core. Here, melody and texture become central elements, creating an emotional atmosphere that balances perfectly with the more driving energy of the title track. Together, the two tracks form a concise statement of what YES TO ALL stands for: groove, emotion and freedom — music made for the dancefloor and for everything that happens beyond it